Résultats de "Hugh Howey" dans Toutes les catégories

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.

Juliette, now mayor of Silo 18, doesn’t trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white—everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity’s continued survival. But can they work together long enough to succeed?

Dans un futur postapocalyptique indéterminé, une communauté d'hommes et de femmes a organisé sa survie dans un silo souterrain géant. Du monde extérieur, devenu hostile, personne ne sait rien, sinon que l'atmosphère y est désormais irrespirable. Les images de mauvaise qualité relayées par d'antiques caméras, montrant un paysage de ruines et de dévastation balayé de vents violents et de noirs nuages, ne semblent laisser aucune place à l'illusion. Pourtant, certains continuent d'espérer. Ces individus, dont l'optimisme pourrait s'avérer contagieux, représentent un danger potentiel.

Dans un futur postapocalyptique indéterminé, une communauté d'hommes et de femmes a organisé sa survie dans un silo souterrain géant. Du monde extérieur, devenu hostile, personne ne sait rien, sinon que l'atmosphère y est désormais irrespirable. Les images de mauvaise qualité relayées par d'antiques caméras, montrant un paysage de ruines et de dévastation balayé de vents violents et de noirs nuages, ne semblent laisser aucune place à l'illusion. Pourtant, certains continuent d'espérer. Ces individus, dont l'optimisme pourrait s'avérer contagieux, représentent un danger potentiel.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It is a lonely job and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the twenty-third century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren’t supposed to.

In this barren home, siblings Conner, Rob, Palmer and Violet daily carve out a future. They live in the shadow of their father and oldest sister, Vic, two of the greatest sand divers ever to comb the desert’s depths. But these branches of their family tree are long gone, disappeared into the wastes beyond, leaving the younger siblings scratching in the dust, hopeful for a better life. On the other side of No Man’s Land, Anya was born beside the abundant mines knowing her prospects would be to marry, have a family, and work in ore, in service to the Empire of the East.

Hugh Howey is known for crafting riveting and immersive tales of boundless imagination. Now comes Machine Learning, an impressive collection of Howey's science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and 15 additional stories collected here for the first time. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author's note.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Die Erde ist unbewohnbar geworden, seit Generationen leben die Menschen in unterirdischen Silos. Was aber, wenn die Verwüstung der Erde nur eine Lüge ist? Als Sheriff Holston sich nach dem Tod seiner Frau entschließt, den Silo zu verlassen, ist das der dramatische Beginn einer neuen Zeitrechnung.

It wasn't easy for Molly being the only girl in Flight Academy, but getting expelled was even worse. Abandoned by her family when she was young and now tossed from the only home she's ever known, her future looks bleak.

But then Molly hears that her father's old starship has turned up halfway across the galaxy. Setting off to retrieve the old craft, she hopes it will hold clues to his disappearance. Accompanying her as a chaperone is Cole, her old flight partner from the Academy.

Wastelands 2: More Stories of the Apocalypse is a new anthology of postapocalyptic literature from some of the most renowned authors in the science fiction, fantasy, and horror genres today, including George R. R. Martin, Hugh Howey, Junot Díaz, David Brin, and many more. This eclectic mix of tales explores famine, death, war, pestilence, and harbingers of the biblical apocalypse.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

Un groupe de cinq cents personnes a été envoyé dans l'espace pour coloniser une autre planète. Dans un état de semi-conscience, elles suivent une éducation qui leur est dispensée par une intelligence artificielle. À trente ans, elles seront parfaitement formées pour appréhender leur nouveau monde. Mais après quinze ans seulement, une explosion à bord du vaisseau tue la majorité d'entre elles et détruit la plus grande partie de leurs vivres. Pire, les soixante jeunes rescapés qui se réveillent ne possèdent encore que les connaissances les moins utiles à leur survie.

War is peace. Freedom is slavery. Ignorance is strength. George Orwell once wrote of a world where abuse of power begins with an abuse of language and a bastardization of truth. Some of today's most exciting voices in speculative fiction explore the ramifications of those ideas in Ignorance Is Strength.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Ray Bradbury warned of a world where our literary history is taken from us. In Burn the Ashes, some of the best science-fiction authors working today continue to explore the dystopic worlds they introduced in Ignorance Is Strength.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.