African American Literature Fiction

Someone wants every member of the consortium dead, and they'll stop at nothing to make that happen. Meanwhile, Shan has transferred back into Redbone and has taken it to a whole new level. Nick suspects Shan is still in love with Briggen, even though she is with him. Janay has a new lease on life, but her ties to Crystal are always a challenge. Everyone is gunning for Dark, and with The List in the hands of Cisco's wife, Joy, Dark's chances of taking over Detroit are threatened more than ever before.

Kenny and Tashena were born into the struggle, separated by a few blocks of concrete and heavy doses of pain, somehow finding their way back to each other after life and its perils pushed them apart. The truth needed to be told before either of their hearts could mend. Healing was needed on both ends before reception was an option. Trust needed to be established before love was a possibility. Such heavy burdens to bare for souls that were already carrying too much.

All hell has broken loose, and the McPhearson clan is right in the middle of the chaos. After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.

The Preacher's Son captivates with all the intensity expected of a Weber novel. Bishop T.K. Wilson is a pillar of the community, pastor of the largest African-American church in Queens, NY, and has always tended to he needy. Running for borough president, he faces one shocking revelation after another that could not only derail his campaign, but also force him to reevaluate his family values.

Dontay Walker had it rough growing up in the projects with a drug-addicted mother who forced him to become a man at the young age of 15. His father was a rolling stone, having multiple children with many women. Dontay always fought for his father's attention - until taking his spot became more important than gaining his love. Now, at the age of 30, Don is the leader of one of the most successful and most feared drug organizations in the city of Philadelphia.

In Choosing Sides, Malek became affiliated with the North Side's biggest kingpin, and Halleigh was manipulated into the streets by his South Side adversary. North versus South, love versus loyalty, and lies versus truth. Now the saga continues in Working Girls, as we are introduced to the Manolo Mamis, the baddest chicks in the game. They're playin' for keeps, and their services come with a price - an expensive one.

Detroit hustlers Free and Six have been together seven years, but their relationship has been nothing but drama. Free hasn't been faithful, and Six has taken out her hurt by physically hurting the other women. Free ends up in jail for three years, and when he's sprung, he's not happy to learn that Six has been living the high life on his dime and has blown through $100,000! Then Six gets entangled in one of Free's schemes and finds herself in a role almost too good to be true.

After a brutal divorce, Abigal Wilson vowed to never love again, but when Brent Carson crosses her path, she simply can't resist his good-guy persona that exemplifies perfection. From A to Z, Brent appears to have it all. Abigal falls head over heels for him - until the unthinkable happens. Brent's announcement - "I'm just not that into you" - sends Abigal on a downward spiral. She can't cope with ill treatment from another man, and now nothing would please her more than to see Brent making his way to the gates of hell.

To his customers and neighbors on 125th street, Ray Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters”: Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

The Autobiography of Miss Jane Pittman has sold over a million copies nationwide since its publication in 1971, making the fictional character of Miss Jane so real many people don’t know she exists only in the imagination of Louisiana-born author Ernest J. Gaines. Miss Jane is 100 years old when she is interviewed by an area high school teacher looking to teach his students more about plantation society in the Deep South. Her story is not only a vivid picture of the South before the dawn of the civil rights era, but also a story of one woman’s survival against overwhelming odds.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

When the organizing committee for her upcoming high school reunion needs a caterer, Halia agrees to help out. Soon she's serving up her signature macaroni and cheese and famous chicken wings to a host of appreciative ex-classmates. Some folks have blossomed since graduation. Others, like manipulative Raynell Rollins, currently married to a former football star, haven't changed nearly enough. When Raynell is found dead the morning after the reunion, the role call of possible suspects could fill the school gymnasium. Extramarital affairs, mega-church scandals and sports secrets...

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Meet Heaven: a young girl who is loving, submissive, and beyond appreciative of her husband, Ross. As a teenager, Heaven lived solely for her sister, Divine, and her daughter, Sunshine. Because her mother is mentally ill and her father ran off, Heaven had to do some unimaginable things just to feed the family. Then came Ross, and everything changed. He wasn't some filthy rich, dope boy that some young girls dream of, but Heaven felt like Ross was her blessing.

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb.

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.