African American Literature Fiction

An unprecedented historical and literary event, this tale written in the 1850s is the only known novel by a female African American slave, and quite possibly the first novel written by a black woman anywhere. A work recently uncovered by renowned scholar and professor Henry Louis Gates, Jr., it is a stirring tale of "passing" and the adventures of a young slave as she makes her way to freedom.

Maddie and Theo have two things in common: 1. Alexa is their best friend. 2. They hate each other. After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with.

Kimera Davis finds comfort in dating married men. It's easier that way. Her needs are taken care of, and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes she's not the only woman pulled in by his charm. Their new arrangement doesn't require much from Kimera, but she soon discovers someone else is pulling the strings. She's not looking for complications, yet she can't help feeling there's something devious at play.

Blanche White returns to Farleigh, North Carolina for the summer to help her best friend with her catering business. It's a homecoming rich with the potential for new romance and fraught with the pain of facing the man who raped her at knife-point years ago but was never prosecuted for the crime. Shortly after Blanche arrives, a young woman is murdered and the clues point to the rapist. Blanche investigates, determined not to let him get away with another crime...nor is she willing to let his money-hungry sister marry a sweet, mentally-challenged man for his wealth.

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

When someone asks you to spend your life with him, it shouldn't come as a surprise - or happen in front of 45,000 people. When freelance writer Nikole Paterson goes to a Dodgers game with her actor boyfriend, his man bun, and his bros, the last thing she expects is a scoreboard proposal. Saying no isn't the hard part - they've only been dating for five months, and he can't even spell her name correctly. The hard part is having to face a stadium full of disappointed fans....

Betty Jean already has her hands full when her grown daughter leaves her two young sons in her care. In between dealing with her other adult children, two opinionated sisters, an ill husband, and her own postponed dreams - BJ still manages to hold down a job delivering room service at a hotel. Her son Dexter is about to be paroled from prison; Quentin, the family success, can’t be bothered to lend a hand; and taking care of two lively grandsons is the last thing BJ thinks she needs. But who asked her?

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing - not the once familiar terrain, or the age-old rhythms of life, or even memory itself - seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place.

Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

Trudy Bell needs to do something to spice up her life and hopes that her new job with the Bon Voyage Travel Agency will do the trick. But envy for her boss' glamorous lifestyle turns into a downward spiral that could end up costing her more than just her job.

With smoking hot hits like Lies Lovers Tell and What Love Tastes Like to her credit, Zuri Day has built a considerable fanbase for her scorching contemporary romances. When 40-year-old teacher Gwen Smith travels home to care for her sick mother, she meets a potential new mate who makes her head spin. A “black Fabio,” 26-year-old Ransom Blake knows his way around the bedroom—and he’s about to take Gwen back to school for some lust lessons.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in 20th-century literature. In this charged collection of 15 essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

Uzoamaka’s miracle baby, Obiefuna, arrives after a series of miscarriages. As a young boy, he brings luck to his family and joy to those in his orbit, from the teachers at his school to the ladies getting their hair braided at Uzoamaka’s salon. But by adolescence, Obiefuna has grown unsure of himself. After his father brings home an apprentice from a nearby village, the lightness Obiefuna feels is quickly dashed when the two are caught sharing a moment of intimacy.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal and, at times, heartbreakingly satirical look at what it's like to be young and black in America.