Art Crime

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction.

In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother--and himself.

Texte susceptible de choquer. À déconseiller aux âmes sensibles. L'Art. Jusqu'où certains sont-ils prêts à aller en son nom ? Des familles entières disparaissent, enlevées à leur domicile. Une horrible machination est mise en place pour satisfaire les appétits déviants de fortunés amateurs d'art. Soraya, adolescente de 16 ans, sera-t-elle le grain de sable dans ces rouages infernaux ?

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

En esta galardonada producción de Audible Studios, Trevor Noah cuenta su salvaje historia sobre la mayoría de edad durante el ocaso del apartheid en Sudáfrica. Es una historia que comienza con su madre arrojándolo desde una camioneta en movimiento para salvarlo de una disputa potencialmente fatal con gánsters, luego sigue el camino del comediante hacia el autodescubrimiento a través de episodios conmovedores y cómicos.

London. 1910. A procession of well-attired gentlemen and ladies are clearly out of place among the stalls and pushcarts of the Whitechapel District. As the group makes its way through the crowded streets, the tour guide stops now and then to point out various places where the mutilated bodies of the women had been found. Although the murders occurred twenty-two years prior, the man leading the group seems to know every detail and aspect of each slaying. Of those things he does not know, he offers freely his own insightful conjecture.

A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her ultimate mission to know the woman who gave her life.

Over the course of his 27 years with the DEA, Ed Follis bought eight-balls of cocaine in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug traffickers but - in some cases - operatives for al-Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency's radical shift from a limited local focus to a global arena.

By the long-time art critic of The Daily Telegraph, Warhol After Warhol tells the David-and-Goliath story of collector Joe Simon and his struggles with the [Andy] Warhol Authentication Board, a tale of power, corruption and lies, a Bad Blood for the art world.

On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul Pringle thought should have taken, at most, a few weeks to check out: a drug overdose at a fancy hotel involving one of the University of Southern California’s shiniest stars—Dr. Carmen Puliafito, the head of the prestigious medical school. Pringle, who’d long done battle with USC and its almost impenetrable culture of silence, knew reporting the story wouldn’t be a walk in the park. USC is the largest private employer in the city of L.A., and it casts a long shadow.

From the moment an eccentric woman walked into the Knoedler Gallery with a Mark Rothko painting, everyone was fooled. For the next ten years, she ran an $80 million forgery ring, selling or consigning forty expertly crafted counterfeits claimed to be the works of Robert Motherwell, Jackson Pollock, Mark Rothko, and others. Director of the documentary Made You Look Barry Avrich reveals new information, evidence, and inside stories about how a quixotic art dealer, master forger, and two cunning con artists managed to fool billionaire art collectors, journalists, and esteemed art appraisers.

The 1935 murder of architect Francis Mawson Rattenbury, world famous for his design of the iconic Parliament Buildings and Empress Hotel in Victoria, British Columbia, and the arrest and lurid trial of his thirty years younger second wife, Alma, and the family chauffeur, George Percy Stoner, her lover, who was half her age, riveted people. Debate continues even today as to which one of them really was responsible.

For the first time, learn what really happened inside the walls of Hotel des Mille Collines. In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura writes of a divided society and his journey to the place he believed would be safe from slaughter.

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with Billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after thirteen days in a coma.

In the summer of 1998, Walter Kirn - then an aspiring novelist struggling with impending fatherhood and a dissolving marriage - set out on a peculiar, fateful errand: to personally deliver a crippled hunting dog from his home in Montana to the New York apartment of one Clark Rockefeller, a secretive young banker and art collector who had adopted the dog over the Internet. Thus began a 15-year relationship that drew Kirn deep into the fun-house world of an outlandish, eccentric son of privilege who ultimately would be unmasked as a brazen serial impostor, child kidnapper, and brutal murderer.

No sneaking out. No going into Boston alone. Moxie Fleece knows the rules and follows them - that is, until the day she opens her front door to a mysterious stranger. Suddenly, Moxie drops smack into Boston’s biggest unsolved mystery: the Gardner Museum art heist. Moxie has two weeks to find the art, otherwise she - and the people she loves - will be in big-time danger. Her tools? Her best friend, Ollie, a geocaching addict who loves to find stuff; her Alzheimer’s suffering grandfather, Grumps, who knows lots more than he lets on; and a geometry proof that she sets up to sort out the clues.

The memoir covers La Plante's entire life, from her youth growing up in Merseyside to studying at RADA alongside Anthony Hopkins and John Hurt. It explores "the exasperation [La Plante] felt at the limited roles available for female actors" - something that led to her writing "Widows" and "Prime Suspect" for television.

In researching his acclaimed true-crime books, Philip Carlo interviewed some of the most infamous criminals and killers of our times in prisons and on death rows throughout the country. He was able to forge trusting relationships with his subjects, enabling him to extract the facts behind their monstrous acts and identify what motivated them to commit their horrific crimes.

In September 2011, Erik Weissman and two friends were murdered in a brutal triple homicide in Waltham, Massachusetts. The case went unsolved for months and then years, with no discernible leads. Erik’s friend Susan Zalkind, an investigative journalist, needed closure and knew that finding it would be up to her. As Susan began digging, and as the Boston Marathon bombing exposed startling new leads, the case led her down a tangled and sometimes dangerous path to the truth.