Classic Poetry

Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.

Perhaps the most famous epic poems ever written, the Iliad and the Odyssey have been read for nearly 3,000 years, making them the oldest written works in the Western world. The poems made characters like Paris, Helen, Odysseus, Achilles, Hector, and Ajax instantly recognizable, and they also influenced other ancient poets like Virgil, whose Aeneid is clearly modeled after them.

Poet Jean Toomer’s short-story and poetry collection.

The "Aeneid" is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It is composed of 9,896 lines in dactylic hexameter. The first six of the poem's 12 books tell the story of Aeneas's wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

Listen, my children, and you shall hear Of the midnight ride of Paul Revere… So begins the classic poem of devoted patriot Paul Revere's midnight ride on April 18, 1775. Henry Wadsworth Longfellow wrote the poem in 1860 as a tribute to the revolutionary hero who rode his horse through Medford, Lexington, and Concord to warn the American patriots that the British were coming to attack.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

A witty, bawdy, erotic but classic collection of poetry designed to celebrate the most sensual of human pleasures. Over the ages, many poets have put pen to paper in celebration of that most raw and yet most beautiful of human instincts - erotic love. This anthology includes verse by Herrick, Marlowe, Jonson, Byron, Verlaine, Whitman, Yeats, Cummings and, from our own time, John Betjeman. All aspects of erotic love are to be found in these poems - from the bawdy to the sensuous and tender.

Included in this collection are major works by Matthew Arnold, Elizabeth Barrett Browning, Robert Browning, William Blake, Rupert Brooke, Robert Burns, Lord Byron, Samuel Taylor Coleridge, Abraham Crowley, William Cooper, John Donne, Michael Drayton, John Dryden, Ralph Waldo Emerson, Oliver Goldsmith, Thomas Hardy, Robert Herrick, Thomas Gray, Ben Johnson, John Keats, John Lyly, Christopher Marlowe, Andrew Marvell, John Milton, Alexander Pope, Sir Walter Raleigh, Christina Rossetti, Sir Walter Scott, Percy Bysshe Shelley, Robert Southey and more!

Here are the favorites from Lewis Carroll, Jonathan Swift, William Shakespeare, and more. And that is not to forget perhaps the greatest of them all: Anon. There are ballads, sonnets, proverbs, and nonsense verse. Poems to inform, divert, satirize, castigate and praise. A collection to make all listeners smile, laugh, remember and discover.

More than 60 stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories - later revised for What We Talk About When We Talk About Love - are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver's literary development.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

Poetry can sometimes be elusive, the real meaning layered beneath another. In this volume American poets give voice to their nation, their hopes, and their aspirations. Whitman, Emerson, and Dickinson are joined by Poe, Holmes, Dunbar, and others to pleasure our ears and minds with a rambling stroll through their works. It doesn’t define America, but it captures her mood and the flavours of her soul in the early days of the American dream.

The Poetry of Kissing. In many ways the title says it all. Kissing is Poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. This volume is not about the kiss of a mother’s to her child’s scraped knee, or the father to his baby’s head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another.

The church building has been pivotal to man’s spiritual and religious life for centuries. For many the interior of a church is literally their one to one with God. The interiors, whether soaring or simple, ornate or minimal, are built for communion, for worship. Outside and surrounding our many churches is the churchyard; the burial ground, the repository for faithful souls. An all-weather idyll of calm around where many a poet has sat and contemplated the surrounding world.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

Discover the secret agenda of The Walrus and the Carpenter as they stroll along the beach enticing and exciting the young oysters to follow them. This is a classic morality tale written by Lewis Carroll told as a children’s poem. And, it explores movements and causes, great and small, leaders and followers, and the risks of following leaders blindly.

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form.

Classic Poems for Girls is a collection of over 25 funny, whimsical and moving poems for 5- to 10-year olds, designed to fuel the imagination. From the adventures of the Jumblies, who sail away in a sieve; to the sticky end of a girl named Matilda; to the courtship of a maiden who lived long ago, in a kingdom by the sea, there’s a poem to suit any feeling or mood. Seasoned Naxos AudioBooks readers Laura Paton, Anne-Marie Piazza, Benjamin Soames and Roy McMillan work their magic on the works of Edward Lear, Louisa May Alcott, Christina Rossetti, and many more.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.