Crime Mystery Fiction

Meg Dawson’s world is turned upside down when her Aunt Penny makes a surprise appearance at the Seattle apartment building she once called home. But hidden within the true reason behind Penny's visit is a mystery that could rock the very foundations of the Morrisey community. During her visit, Penny breathes new life into the beloved Morrisey Masterpiece Classic, an annual building scavenger hunt. Tensions soar and rivalries ignite among the residents, including between Meg and Laurie.

It’s the night shift worker who finds them. Huddled in a hospital store cupboard is elderly Edith Higgins. Knifed to death. Sitting behind her is Staff Nurse Lily Frampton, a scalpel clasped in her blood-soaked hand. No one can understand why this kind-hearted, dedicated nurse would brutally murder a frail patient she’s spent months caring for. That same day, mild-mannered schoolteacher Rod Black is found surrounded by the battered bodies of his pupils. Why would a well-respected teacher beat five schoolboys to death?

A brand new Nikki Galena mystery where echoes from the past haunt the twistiest, most complex investigation of her career.

Haven’s Rock is a sanctuary town hidden deep in the Yukon for those who need to disappear from the regular world. Detective Casey Duncan and her husband, Sheriff Eric Dalton, are starting a family now that they’ve settled into their life here. As Casey nears the end of her pregnancy, she lets nothing, including her worried husband, stop her from investigating what happens in the forbidden forest outside the town of Haven’s Rock. When one of the town's residents is drugged and wanders too close to the edge of town, she’s dragged into the woods kicking and screaming.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Evan Smoak is a highly trained former government assassin who has survived for years by keeping his circle to a few trusted confidants and a strict code he calls “The Ten Commandments.” But when Evan suddenly finds himself at odds with his oldest friend, all the rules he lives by shatter—and the consequences are murderous. Tommy Stojack might be Evan's best friend in the world. He’s a gifted gunsmith who has created much of Evan's own weapons and combat gear. But now, he has apparently crossed one of Evan's hardest lines and their argument explodes into open warfare.

Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

London, early 1950s. Marcia Beasley of St John's Wood is discovered dead in her home, naked and covered with a coal scuttle. Detective Sergeant Greenleaf is tasked with solving the crime and bringing meaning to her gruesome death, and it seems her whole social circle have secrets to hide and grudges to bear. Who, for example, is the limping midnight visitor? Is the bibulous priest as ingenious as he seems? And will Mrs Burkiss ever yield her keys to the broom cupboard?

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Nicole Cutty and Megan McDonald are both high school seniors in the small town of Emerson Bay, North Carolina. When they disappear from a beach party one warm summer night, police launch a massive search. No clues are found, and hope is almost lost until Megan miraculously surfaces after escaping from a bunker deep in the woods. A year later the best-selling account of her ordeal has turned Megan from local hero to national celebrity.

DI Nikki Galena: A police detective with nothing left to lose, she's seen a girl die in her arms, and her daughter will never leave the hospital again. She's gotten tough on the criminals she believes did this to her. Too tough. And now she's been given one final warning: make it work with her new sergeant, DS Joseph Easter, or she's out.

When acclaimed mystery writer Dorothy L. Sayers first began compiling anthologies of the best crime stories in the 1920s and ’30s, the genre was in the flush of its first golden age. While it is hard to imagine today - after every possible mystery plot has been told, retold, subverted, and played straight again by hundreds of writers over nearly a century - in Sayers’s day there were still twists that had never been seen, and machinations of crime that would shock even jaded Jazz Age fans.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

Relentless phone calls interrupt the peace of a warm August morning in Three Pines. Though the tiny Québec village is impossible to find on any map, someone has managed to track down Armand Gamache, head of homicide at the Sûreté, as he sits with his wife in their back garden. Reine-Marie watches with increasing unease as her husband refuses to pick up, though he clearly knows who is on the other end. When he finally answers, his rage shatters the calm of their quiet Sunday morning.

A gripping psychological thriller that tracks Hannah Herbst, a facial expression expert, as she becomes entangled in a disturbing web of murder, deception, and moral ambiguity. This nail-biter begins when Hannah wakes up in a motel room with no memory of how she got there, only to discover that she's being accused of murdering her own family. Not only that: there’s a video of her confessing to these murders. As she uses her professional expertise to prove her innocence, she uncovers a sinister plot involving someone very close to her.

Flower shop owner Ellie McEwan is driving home late one frosty November night when a shadowy figure leaps into the road out of nowhere. Ellie swerves to avoid him — and slams head-on into the crash barrier. Days later, Ellie wakes up in hospital — and notices there’s something different. Everyone she looks at — the doctor, the nurse, her friend Carole — is surrounded by a coloured aura. Her near-death experience seems to have given her a new ability. And now Ellie must use her new-found gift to catch a killer.

The Department of Sensitive Crimes takes on three extremely strange cases. First, the detectives investigate how and why a local business owner was stabbed...in the back of the knee. Next, a young woman's imaginary boyfriend goes missing. And, in the final investigation, Varg must determine whether nocturnal visitations at a local spa have a supernatural element.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?