Crime Noir

472 jours : c'est le temps qu'a passé Flora aux mains de son bourreau. 472 jours plongée dans un abîme de ténèbres, à n'espérer qu'une chose : survivre. Sortie miraculeusement de cette épreuve, elle cherche depuis à retrouver une existence normale. Pourtant, les murs de sa chambre sont tapissés de photos de filles disparues. Quand, à la recherche de l'une d'elles, Flora se fait de nouveau kidnapper, le commandant D. D. Warren comprend qu'un prédateur court les rues de Boston.

So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her.

Renée Ballard is working the night beat again and returns to Hollywood Station in the early hours only to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin. Ballard kicks him out but then checks into the case herself, and it brings a deep tug of empathy and anger. Bosch is investigating the death of 15-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally murdered and her body left in a dumpster like so much trash. Now, Ballard joins forces with Bosch.

A thirty-four-year-old American woman—a secret agent—is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct.

Early one morning on the shore of the Thames, DCI Samuel Owusu is called to the scene of a gruesome discovery. When Owusu sends the evidence for examination, he learns the bones are connected to a cold case that left three people dead on the kitchen floor in a Chelsea mansion thirty years ago. Rachel Rimmer has also received a shock—her husband, Michael, has been found dead in the cellar of his house in France. All signs point to an intruder, and the French police need her to come urgently to answer questions about Michael and his past that she very much doesn’t want to answer.

When private investigator Detective Sebastian Clifford is asked by his former society girlfriend to locate her fiancé—who’s disappeared along with some valuable pieces of art—he’s reluctant to help. He’s left the aristocratic world behind, and for good reason. But when his ex starts receiving threatening letters, Clifford is left with no choice. When he enlists the help of his partner Lucinda Bird, aka Birdie, they start digging and find themselves drawn into London’s underworld.

In an unnamed city slick with rain, Charles Unwin toils as a clerk at an imperious detective agency. His job: writing reports on cases solved by the palindromic Detective Travis Sivart. When Sivart goes missing and his supervisor is murdered, Unwin is promoted to detective, a rank for which he is woefully unprepared. His only guidance comes from his sleepy new assistant and the pithy yet profound Manual of Detection.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.

Socially awkward Will, grieving her mother’s death, is fascinated by Dolly, a beautiful, charming rebel with an insatiable taste for adrenaline. Both musicians come alive at Harlem jazz clubs and Prohibition-era speakeasies. Dazzled by the world they are discovering together, their romance ignites. But while Will is obsessed with Dolly, Dolly is obsessed with crime. The power dynamics keep shifting as Will agrees to commit petty crimes with Dolly in exchange for sexual favors. When the University and their rich families unite to split them up, passions escalate.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture.

Laurence Shames’ funny, elegantly written, and hip thrillers have topped best-seller lists across the country, and earned him a leading role as a writer of “Florida noir” with Elmore Leonard and Carl Hiaasen. When Island Frigate advertising rep Suki Sperakis decides to write an exposé on the Key West black market, she is strangled and left for dead in the trunk of a car sinking slowly into the Gulf of Mexico.

During Fiesta, three desperate men converge in a perilous New Mexico town. It takes four days for Sailor to travel to New Mexico by bus. He arrives broke, sweaty, and ready to get what's his. It's the annual Fiesta, and the locals burn an effigy of Zozobra so that their troubles follow the mythical character into the fire. But for former senator Willis Douglass, trouble is just beginning.

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting....

Vitus Adamson has a second chance at life now that he's no longer a zombie. But after killing his brother, Jamie, Vitus lands in prison on murder charges. Jamie's death exposes secret government projects so deep in the black they cannot be seen - without Vitus, that is. Sprung from jail, the government hires Vitus to clean up Jamie's messes, but tracking down his brother's homemade monsters gone rogue is easier said than done. The first of them is a convicted killer assumed to be safely behind bars.

Meet Tommy Martini, the monk with an anger management problem. His meditations are interrupted by a legacy from his uncle, a crooked priest. Arriving in a New Age Arizona town to claim his inheritance, Brother Tommy meets a charismatic, smoking-hot cult leader who claims that women are being impregnated by alien beings while they sleep. Tommy’s own sleep is disturbed - by cartel hitmen, Mafia bill collectors, and women intrigued by his vow of chastity.

Specialist in the scam, the con, and the rip-off, Jerry Manelli is running around New York hot on the trail of a priest: a thousand-year-old, two-foot-tall, ugly, misshapen, dancing Aztec priest made of solid gold, with eyes of pure emeralds, worth a million dollars. Somebody stole it from its museum home in South America and smuggled it through U.S. Customs in a shipment of plastic imitations. But the wrong one got delivered, and the million dollar statue, mixed with the fifteen copies, is somewhere in New York.

GBH, short for Grievous Bodily Harm, is an unnerving tale of paranoia and madness in the heart of the 1970s London criminal underworld. Two intertwining narratives - past and present - chronicle the man's tragic fall from power. In London, Fowler resides at the head of a lucrative criminal syndicate that specializes in the production and distribution of "blue films" - illegal pornography and some nasty stuff. Fowler is king, with a beautiful girl at his side and a swanky penthouse office....

One of the 20th-century's most darkly beautiful works of crime fiction - a story of carny life, spiritualism, and a con man of merciless resolve.

This quartet of crime stories about deadly books, penned by award-winning contemporary mystery writers, includes The Little Men, What's in a Name?, The Book of the Lion, and From the Queen.

When an old acquaintance, finance magnate Eleanore Paget, hears August is back in town, she tries to hire him to investigate suspicious goings-on at her investment bank. August declines - detective work is no longer his beat. When Eleanore is found dead the next day of an apparent suicide, August doesn't buy it for a minute. His search for her killer will drag him into a rat's nest of Detroit's most dangerous criminals.