English Gothic

When Sonya MacTavish inherits the huge Victorian mansion on the coast of Maine, she has no idea that the house is haunted. The footsteps she hears at night, the doors slamming, the music playing, are not figments of her imagination. In her dreams she sees glimpses of the past. In the present she finds portraits of brides. And when she has visions of an antique mirror, she is drawn to it, sensing it holds dark family secrets.

Elizabeth Gaskell's chilling Gothic Tales blends the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; Lois the Witch, a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors.

This was the most popular novel of Radcliffe's time; Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert, who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her.

A psychologically twisted story of the escape of a lifelong prisoner.

The time: the waning years of the 1990s at the dawn of the millennium. The place: an isolated rural town called Auburn, which could be anywhere at all - a town where everyone knows everyone else - where dark secrets run through its veins like blood. Everyone knows that 16-year old Mikey Childress is "different." A target for bullies since he was a small boy, everything Mikey does attracts abuse: the way he walks, the way he talks, the way he looks. Everyone knows he's not like the other boys in Auburn - the boys who play hockey, who fight, the boys who pursue girls.

Created when they intermingled with demons, the dark elves who rule over the fae of Sinaryos have come to rely on humans to keep their race alive. The royal family is no exception, with a king on the verge of death, a court riddled with spies, and a broken line of succession. Despite everything working against him, Prince Fallon Blackwood has met all the demands of the crown for nearly 100 years...except for one. After avoiding this obligation for too long, the time has come for him to take a harem and prove that he's capable of continuing his family's bloodline.

Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it.

Iphigenia Holt is a good little witch who grew up under the thumb of a wicked mother and two powerful sisters. Pegged as a caretaker, Iphi hides a secret that would change the way everyone around her views her: she's an empath. And yet she doesn't let that stand in her way. A soaring circus performer with a fierce love for animals and the downtrodden, Iphi tumbles her way through life, hiding the hurt just being around others can inflict, until she meets an enigmatic vampire and his three hot shapeshifting cousins.

Going to Cabin Green alone after the death of his fiancee was Ben's first mistake. His second mistake was tempting fate by saying, "There's no such thing as an evil building." Now he's caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head.

A troubled Byronic hero, a young governess blinded by her romantic obsession, a beautiful but forbidding manor, and a secret as ominous as the black rainbow that frames the huddled towers of the manor in the moonlight are the romantic elements of this Gothic mystery.

Once an aristocrat in the heady days of pre-revolutionary France, now Lestat is a rockstar in the demonic, shimmering 1980s. He rushes through the centuries in search of others like him, seeking answers to the mystery of his terrifying exsitence. His story, the second volume in Anne Rice's best-selling Vampire Chronicles, is mesmerizing, passionate, and thrilling.

Stretching like an armor-toothed belt across Italy's upper thigh, the Gothic Line was the most fortified position the German army had yet thrown into the Allied forces' path. On August 25, 1944, it fell to Canadian troops to spearhead a major offensive: to rip through that fiercely defended line. This gripping chronicle tells, through the eyes of the soldiers who fought there, of the 28-day clash that ultimately ended in glory for the Canadians.

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

Savage (adjective): 1) Not domesticated; wild and untamed 2) A brutal or vicious person 3) Malek Antonov. He’s a myth. A ghost. A legend. A Bratva assassin so feared, some won’t even dare to speak his name. He comes in search of vengeance for the death of his brother, but what he finds instead is me.

Beauty and the Beast meets Medusa in this gothic, sapphic tale with lethal women, haunting spirits, poisonous florals and reptiles, and off the charts spice.

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.