English Theater

Besieged by an army of bloodthirsty orcs and goblins, unlikely heroes Jack, Gooch, Topher, Geoe, and Dobby must find a way to save the city of Edinburgh and its inhabitants. Riding high on the success of wresting a power source away from Ravanan control, the team finally arrives in Edinburgh. Instead of the expected heroes’ welcome, they are captured and thrown in prison. To save the city, they must first win over its rulers and inhabitants, remove a decade long curse, and find a traitor.

The hero of Hanif Kureishi's debut novel is a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving, albeit with some rude and raucous results.

Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a much busier trip than Jessica was expecting. When a hotel bartender, who also happens to be a stagehand for Emma’s play, turns up dead backstage at the theater, Jessica’s fun and relaxing vacation quickly becomes anything but.

This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools.

Escaping to NYU for college didn’t turn out the way Cameron planned—he’s flunking his theater classes, about to lose his scholarship, and he still hasn’t found anyone he can call his “people.” When he gets home for winter break, he’s so desperate to avoid a Conversation with his dad that he takes the first acting job he can get—as a mall elf. Despite how Scroogey he feels, the plus side is that there’s a cash prize for the most festive of Santa’s helpers. But the competition is fierce—especially from fellow elf Marco.

Qube was designed to die.... As the cheerful childhood NPC companion who helps the [Player] learn the world during the start of the game, it was only natural that the big bad would kill her at the end of the tutorial, kick-starting the [Player] on a quest for vengeance. The only thing is, no one told her that.... And this particular [Player] doesn’t like to play by the rules. Being a chaos-loving gremlin, he glitches her out of her programming loop and drags her on various adventures. They'll grapple with friendly sharktopuses, evil emperors, and what it means to be a person.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

Although he was once the promising young CEO of a successful corporation, Lucas abandoned everything he knew and retreated from both the real world and his demanding life following a horrific accident. In order to cope with tragic loss, he began spending his time in virtual reality, lazing about in the sun, and living a carefree life. When he learns that his escapist paradise is being threatened and is about to disappear, however, Lucas is once again forced to take action and do what he does best: take charge.

Ignas Corvinus, ruler of Vlachia, has been captured by his worst enemies. A puppet ruler has been installed to lead the most powerful nation in Archemi, and he's doing his best to blame Hector Park, his dragon Karalti, and their allies for the world's problems.

John Ratey, best-selling author and clinical professor of psychiatry at Harvard Medical School, lucidly explains the human brain's workings, and paves the way for a better understanding of how the brain affects who we are. Ratey provides insight into the basic structure and chemistry of the brain, and demonstrates how its systems shape our perceptions, emotions, and behavior. By giving us a greater understanding of how the brain responds to the guidance of its user, he provides us with knowledge that can enable us to improve our lives.

With the Summoning Gate under threadbare control and the Stranger defeated, Tira’s sights turn now to the war with Amedia. Their raiding party is en route with the sole intention of crushing what they think is the last surviving Kholvenic Dungeon—her.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

The second edition of Building the Successful Theater Company takes listeners even deeper into the world of theatrical production, examining in great depth the financial realities of establishing - and maintaining - a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry.

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middle class youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris.

Ellie is a sweet-natured brunette, generous of heart with a sparkling smile and an accent that reveals her East End background. Bonny is beautiful and spoilt, with cascades of blond hair, the brightest pair of blue eyes and a mouth like Cupid's bow. The two girls meet in London at the end of the war when, seduced and abandoned by two American airmen, they pool their wits and resources and set off to make a living on the stage.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Lio Aetos is the Young Aristocrat and heir apparent to a legendary Greek sect, a prodigious talent born and bred for glory. Solus is a slave, a disgraced patrician from the fallen city of Rome with nothing to his name. They're as different as the East is from the West. Yet both of them hunger—to cast off the threads of Fate they’ve been given. To reach for a higher purpose. In this world of ruined empires and long-forgotten gods, the Young Aristocrat and the Son of Rome share an unyielding conviction.

When spunky Maddy McGuire needs money to pay for horseback riding lessons, she decides to host a week-long pet camp. Despite many near-disasters, Maddy learns that raising the money itself was much of the fun and decides to try out different businesses. Throughout the series, she discovers skills that help her be a great entrepreneur, including organization, enthusiasm, math skills, and more.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.