English Theater

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.

After conquering all of Hesse, creating a devilish new dungeon, and establishing himself as the villain that everyone loves to hate, Lucas decides to continue his quest to create new content by taking over as a dungeon master on the mainland. Unlike the dominant force on the island he left behind, however, the once-mighty Imperium only controls a single capital city in a rapidly shrinking territory, leaving a group of scheming nobles to bicker among themselves and fight over scraps of land.

After a night of drunken debauchery following the defeat of the academy's headmistress, Lucas awakens to trouble on all fronts. The steady balance of power within the Imperium has been shaken by his presence, and the resulting aftermath is a town full of heavily armed and well-staffed enemies that seek Lucas' death. Lucas must not only survive their assault but also manage his own slowly crumbling internal affairs when his party begins to fracture. Angered by Lucas' increasingly selfish actions, some of his closest allies are tempted to turn against him.

Desperate to save as many people as he can from a horrible fate in the cruel game of the gods, Lee and his small group of friends abandon the relative safety of Satterfield for the great city of Kirshtein. Tensions within the city have reached a breaking point after the arrival of an enemy Herald, and Lee is soon caught up in the struggle for power.

As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer”. But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: He entered a packed movie theater and opened fire, killing 12 people and wounding 70; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: the crisis of mental health access.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Deeply changed by his experiences on the fantasy world of Volar, Ty returns home to discover all-new threats and allies awaiting him. With the fate of two worlds on the line, he must do more than become the hero he’s always wanted to be. He must outmaneuver the gods themselves, even as they transform all he knows and loves into one giant theater of war.

This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools.

Lio Aetos is the Young Aristocrat and heir apparent to a legendary Greek sect, a prodigious talent born and bred for glory. Solus is a slave, a disgraced patrician from the fallen city of Rome with nothing to his name. They're as different as the East is from the West. Yet both of them hunger—to cast off the threads of Fate they’ve been given. To reach for a higher purpose. In this world of ruined empires and long-forgotten gods, the Young Aristocrat and the Son of Rome share an unyielding conviction.

Oric Rune is on the hunt for retribution. As the sky shifts crimson, a plague engulfs the continent. Oric must act. Revenge can come later; destiny awaits. Joined by a wolf, a mage, a giant, and a cunning illusionist, Oric's unlikely team is his best chance for survival in this fantasy LitRPG adventure. As the enemies close in from all sides, Oric must make the difficult choice between personal vengeance and becoming the hero he is destined to be. Or die. Because a player can actually die in the online fantasy world known as Unigaea.

On 1 April, 1945, the largest amphibious assault of the Pacific Theater began. The battle for the island of Okinawa would last for the next 82 days. Through the course of this dramatic battle, over 20,000 Americans would lose their lives, and over 75,000 Japanese were killed in one of the bloodiest clashes of World War II. Okinawa: The Last Battle is a remarkably detailed account of this monumental event by four soldiers who witnessed the action first-hand.

Having completed the first three temples and collected some of the gems needed to defeat the Evil Emperor, the Chosen One (aka the trolling player) and Qube (his ever-cheerful companion) must navigate the increasingly broken game world.

Everyone wants to be the chosen one. The job's perks often involve overpowered abilities, world-breaking equipment, and an eager line of bodacious partners. But due to a goddess' clumsy meddling, a struggling musician named Perry ends up accidentally transmigrated alongside her true chosen one with none of the above. Demanding a portal home or reparations for his bereaved family doesn't win him respect either. Instead, he finds himself thrust into a world of magic, monsters, and a wisecracking System.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

Uncertain Allies looks at the United States military's experience in the China-Burma-India (CBI) theater during World War II through the eyes of Joseph Stilwell, the commanding general of American forces in those three countries. Historian Eric Setzekorn focuses on two themes: uncertain allies and ambiguous missions.

Jack Jensen is a middle-aged nobody who lives a lackluster life in an even more uninteresting town. Having sampled every job the small town of Merrill, Wisconsin has to offer, he has excelled at nothing but growing his beer gut and his luxurious curly, chestnut brown hair. His life is one of unrealized potential and lack of direction. Things change one morning when his brother, an Army Major, lands his helicopter in the parking lot of Jack’s less-than-profitable gaming store.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?