Fiction Realism

Fille de l'esclave Abena violée par un marin anglais à bord d'un vaisseau négrier, Tituba, née à la Barbade, est initiée aux pouvoirs surnaturels par Man Yaya, guérisseuse et faiseuse de sorts. Son mariage avec John Indien l'entraîne à Boston, puis au village de Salem au service du pasteur Parris. C'est dans l'atmosphère hystérique de cette petite communauté puritaine qu'a lieu le célèbre procès des sorcières de Salem en 1692. Tituba est arrêtée, oubliée dans sa prison jusqu'à l'amnistie générale qui survient deux ans plus tard.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

In the wake of the tragedy, 17-year-old Franny found solace in a group of friends whose experiences mirrored her own. The group calls themselves The Ordinary, and they spend their free time investigating local ghost stories and legends, filming their exploits. It's silly, it's fun, and it keeps them from dwelling on the sadness that surrounds them. Until one evening, when the strange and dangerous thing they film isn't fiction - it's a bright light, something massive hurtling toward them from the sky. And when it crashes and the teens go to investigate...everything changes.

With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.

This modern morality tale by gifted writer and speaker Andy Andrews teaches seven fundamental strategies for creating a successful life. Much like the best-selling books by Og Mandino, this unique narrative is a blend of entertaining fiction, allegory, and inspiration. Storyteller Andy Andrews gives a front-row seat for one man's journey of a lifetime. David Ponder has lost his job and the will to live.

A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.

For several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world.

Amber Sand's matchmaking business is threatened by a YouTube star with a flair for showbiz, but when she meets Jane, the fairy behind the new fad, Amber finds a kindred spirit. Jane never got her wings and, like Amber, feels like an outsider in her family. Meanwhile, the gang is enjoying the summer after senior year and gearing up for college. They team up with Jane to track down the rare and difficult-to-obtain fairy dust and try to restore Ivy's siren powers. Perhaps most risky of all, Jane offers to tell Amber who her match truly is.

In 1820s Venice, world-renowned magician Oscar Van Hoff confounds sold-out crowds with his astounding manifestations. Even his beautiful wife and assistant, Olivia, is mystified. Her job is to smile and recite her lines—onstage and in society. But the thankless routine is bringing out her rebellious side. Then, on the eve of what promises to be Oscar’s greatest performance yet, Olivia uncovers a secret with the power to shatter all her husband’s illusions. Now the finale belongs to her.

Kitten is quickly losing herself and her sanity under the hands of a man claiming to be her uncle. With her mind playing tricks on her and the emotional pain of being away from her guys, she isn't sure how much longer she can hold on. While the guys continue to wrestle with their sorrow and frustration, they find an unlikely accomplice that may be the key to helping them find their missing woman.

Tucked away down a Kyoto backstreet lies the extraordinary Kamogawa Diner, run by Chef Nagare and his daughter, Koishi. The father-daughter duo have reinvented themselves as “food detectives,” offering a service that goes beyond cooking mouth-watering meals. Through their culinary sleuthing, they revive lost recipes and rekindle forgotten memories.

A girl grows up in Nunavut in the 1970s. She knows joy and friendship and parents' love. She knows boredom and listlessness and bullying. She knows the tedium of the everyday world and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol and violence at the hands of those she should be able to trust. She sees the spirits that surround her and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.

Chava is a golem, a woman made of clay, who can hear the thoughts and longings of those around her and feels compelled by her nature to help them. Ahmad is a jinni, a restless creature of fire, once free to roam the desert but now imprisoned in the shape of a man. Fearing they’ll be exposed as monsters, these magical beings hide their true selves and try to pass as human - just two more immigrants in the bustling world of 1900s Manhattan. Brought together under calamitous circumstances, their lives are now entwined - but they’re not yet certain of what they mean to each other.

This is the story of a man who embarks on a highly provocative intellectual adventure with a gorilla - a journey of the mind and spirit that changes forever the way he sees the world and humankind’s place in it. In Ishmael, which received the Turner Tomorrow Fellowship for the best work of fiction offering positive solutions to global problems, Daniel Quinn parses humanity’s origins and its relationship with nature, in search of an answer to this challenging question: How can we save the world from ourselves?

De jóvenes, Florentino Ariza y Fermina Daza se enamoran apasionadamente, pero Fermina eventualmente decide casarse con un médico rico y de muy buena familia. Florentino estáanonadado, pero es un romántico. Su carrera en los negocios florece, y aunquesostiene 622 pequeños romances, su corazón todavía pertenece a Fermina. Cuandoal fin el esposo de ella muere, Florentino acude al funeral con toda intención.

In Japan, cats are a symbol of good luck. As the myth goes, if you are kind to them, they'll one day return the favor. And if you are kind to the right cat, you might just find yourself invited to a mysterious coffee shop under a glittering Kyoto moon. This particular coffee shop is like no other. It has no fixed location, no fixed hours, and seemingly appears at random to adrift young people at crucial junctions in their lives. It's also run by talking cats.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves - the ones who don't see the magic he attracts - just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

Barrie Anne Blythe and her aunt Charlotte have always known that the other residents of their small coastal community find them peculiar - two women living alone on the outskirts of town. It is the price of concealing their strange and dangerous family secret. But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband - who is not quite the man she thought she married.