Indigenous Fiction

She was named Omakakiins, or Little Frog, because her first step was a hop. Omakakiins and her family live on an island in Lake Superior. Though there are growing numbers of white people encroaching on their land, life continues much as it always has. But the satisfying rhythms of their life are shattered when a visitor comes to their lodge one winter night, bringing with him an invisible enemy that will change things forever—but that will eventually lead Omakakiins to discover her calling.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds.

One Good Story, That One is a collection steeped in native oral tradition and shot through with Thomas King's special brand of wit and comic imagination. These highly acclaimed stories conjure up Native and Judeo-Christian myths, present-day pop culture, and literature while mixing in just the right amount of perception and experience.

From the acclaimed Ojibwe author and professor Anton Treuer comes an essential book of questions and answers for Native and non-Native young listeners alike.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

The film Rabbit-Proof Fence is based on this true account of Doris Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometer walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal families at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth. Here Aboriginal children were instructed in the ways of white society and forbidden to speak their native tongue.

For decades, a dark force has terrorized the Languille Lake reservation. Only spoken of in whispers as "the sandman," he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation's main attraction and source of revenue, leeching its patrons' dreams and ambitions and also preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a mid-twenties Ojibwe, seeks solace in the slot machine's siren song.

A frantic young girl flees the reservation to escape the horrors of abuse at the hands of her adoptive family. Despising her white father they blame for the death of the girl's mother. The man is driven out only to be found dead along a lonely stretch of dirt road. Suffering through a long and desperate struggle on the back streets of Albuquerque, the girl somehow manages to survive, and against all odds, eventually claws her way up from the depths of degradation to a life of success beyond her wildest imagining.

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives.

When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him. One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story - a Water Monster - in need of help.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.

Story is told by a narrator who is a psychologist in Indian country. What appears to be a consultation with a patient ends up being a meeting with his teacher, Tarrence. Tarrence proceeds to take the narrator into a dreamtime journey that melts the worldview held by the storyteller. The dream leads the narrator to a place in which the energy generated by ancient dreamers must be balanced. The lack of balance brought on by the power dreamers and their ceremony resulted in the atomic bomb.

The Narrows of Fear (Wapawikoscikanik) navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our indigenous women who bring us back to what is important. This novel is an interweaving of stories centered on a range of characters, both male and female, though the women, for the most part, are the healers. Though several were abused both in their own community and in residential schools, these women are smart and loving and committed to helping one another.

This carefully researched exploration of Native American culture investigates the complex, often misunderstood histories of hundreds of indigenous peoples. Author James Wilson has drawn from ethnographic and archaeological studies, historical texts, and the rich written and oral traditions of Native Americans to complete this important work.

In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor’s guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be.