Literary Fiction Fantasy

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite.

The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over 50 years at his mother’s funeral. Soon after, she persuades Henry to abandon South wood, his dahlias and the Major next door to travel through Brighton, Paris, Istanbul, Paraguay...

This fascinating third volume in the Britannia's Fist series will have you pondering how easily history could have been swayed differently. What if other countries had become involved in America's Civil War? Historian Peter G. Tsouras presents the third installment in his Britannia's Fist alternate history series.

Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his 11th life, a little girl appears at his bedside. "I nearly missed you, Doctor August", she says. "I need to send a message". This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco, the I Ching is as common as the Yellow Pages. All because some twenty years earlier the United States lost a war - and is now occupied by Nazi Germany and Japan.

En un país cuyo nombre no será mencionado, se produce algo nunca visto desde el principio del mundo: la muerte decide suspender su trabajo letal, la gente deja de morir. La euforia colectiva se desata, pero muy pronto dará paso a la desesperación y al caos. Sobran los motivos. Si es cierto que las personas ya no mueren, eso no significa que el tiempo se haya detenido. El destino de los humanos será una vejez eterna.

From "a major new talent" (George R. R. Martin) comes an epic speculative novel of revolution, adventure, and the struggle for free will set in a world that might have been, of mechanical men and alchemical dreams. My name is Jax. That is the name granted to me by my human masters. I am a slave. But I shall be free.

You stay in bed until the afternoon, scrolling through your social media feeds and wondering why everyone else seems to be achieving so much. Sometimes you don't get out of bed at all. Then you hear about Life on Nyx, a programme that allows 100 lucky winners the chance to escape it all, move to another planet and establish a new way of life. One with meaning and purpose. One without Instagram and online dating. There's one caveat: if you go, you can never come back. But you aren't worried about that. After all, what on Earth could there possibly be to miss?

Honored with almost every conceivable award for literary merit, Salman Rushdie penned this richly imagined fable for his son—and for book lovers the world over. From Rashid’s fertile intellect spring bedazzling tales his son Luka devours with a child’s earnestness. But when Rashid succumbs to an unending sleep, Luka must enter a magical world ruled by video-game logic.

This sequel to The Claiming of Sleeping Beauty, the first of Anne Rice's elegantly written volumes of erotica, continues her explicit, teasing exploration of the psychology of human desire. Now Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away from the Satyricon-like world of the Castle. Sold at auction, she will soon experience the tantalizing punishments of "the village".

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York.

Fellside is a maximum security prison on the edge of the Yorkshire Moors. It's not the kind of place you'd want to end up. But it's where Jess Moulson could be spending the rest of her life.

Being immortal is not all it once was. Yes, the 12 Greek gods of Olympus are alive and well in the 21st century, but they are crammed together in a London town house: and are none too happy about it. Even more disturbing, their powers are waning.

When a nobleman’s first duty is to produce a male heir, women are treated like possessions and bargaining chips. But as the aftereffects of a world-altering spell ripple out physically and culturally, women at last have a bargaining chip of their own. And two women in particular find themselves at the liberating crossroads of change.

Alors que les émeutes font rage à Ildakar, le sorcier en chef Maxime, dépassé par les conséquences de son double jeu, juge opportun de s'enfuir - en confiant à d'autres le soin de réparer ses dégâts. Mais avant de disparaître il lève son sort de pétrification, portant ainsi un dernier coup en traître à la ville. Décidés à reprendre leur route, Nicci, Nathan et Bannon sont contraints de changer d'avis, car ils ne peuvent refuser de défendre la cité de légende.

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war.

When Inspector Peter Glebsky arrives at a remote ski chalet on vacation, the last thing he intends to do is get involved in any police work. He's there to ski, drink brandy, and loaf around in blissful solitude. But he hadn't counted on the other vacationers, an eccentric bunch, including a famous hypnotist, a physicist with a penchant for gymnastic feats, a sulky teenager of indeterminate gender, and the mysterious Mr. and Mrs. Moses.

Kin Stewart is an everyday family man: working in IT, trying to keep the spark in his marriage, struggling to connect with his teenage daughter, Miranda. But his current life is a far cry from his previous career...as a time-traveling secret agent from 2142. Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives - 18 years too late.

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.