Medieval English

When Bampton’s coroner, Hubert Shillside, does not return from a trip to Oxford, Master Hugh de Singleton is called. Concerned for his old friend, Hugh takes to the road to investigate. Travel is safer than in times hence but, out of sight of prying eyes, it is still unwise to travel alone. Hugh finds a body, stabbed and left to rot, but it is not the body he was expecting to find. Indeed, reports of pillage, attacks, and chaos on the roads out of Oxford suddenly seem rampant. Hugh must ascertain whether the incidents are random, or whether something darker is afoot.

Mr. Henty weaves a story of the life and times of King Richard the Lion-hearted that is yet to be equaled. Cuthbert de Lance, the hero of the story, is of Norman blood on his father's side and Saxon by his mother. By providing timely aid to the Earl of Evesham, Cuthbert is rewarded by being allowed to go to the Crusade as his page. He gains a reputation for valor and prowess due to gallant deeds, and his resourcefulness not only helps King Richard but aids Cuthbert in many a 'hairbreadth escape'.

It is early in the twelfth century, and the civil war between King Stephen and the Empress Maud rages with renewed vigor. In the battle of Lincoln, the sheriff of Shropshire is captured, and the king himself is detained by his enemies. An exchange of prisoners is arranged: the sheriff will be bartered for a young Welsh lordling who has been captured during a misguided assault on a convent.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

Edinburgh merchant Tavish Cameron has no choice but to pay outrageous tolls to the nobility, until fate gives him an unexpected opportunity for advancement. To claim Tower Roscraig, all he has to do is admit that he is the bastard son of a murdering baron...and evict the proud, impoverished Lady Glenna Douglas from her crumbling castle. With her father ailing and her village devastated by illness, Glenna has lost everything except her home. Now a handsome stranger intends to take that, too. Until the king arrives to determine the rightful laird, Glenna and Tavish must share her castle.

Plato's dialogue in the Symposium, which has as its topic the subject of love, explores the idea of love as a means of ascent to contemplation of the Divine. For Plato, generally, to love other human beings is to direct one's mind to love of Divinity. One proceeds from recognition of another's beauty to appreciation of Beauty as it exists apart from any individual, to consideration of Divinity, the source of Beauty, to love of Divinity.

A maiden’s self-imposed isolation makes her the seductive prize in a royal battle for power. When Sir Rylan Kempe, Lord of Blaecston, a fierce yet noble warrior-knight locked in a vengeful battle with a royal enemy, comes to claim her and her castle in the name of ultimate revenge, Joanna is intent on defying the commanding knight at every turn.

Fionna's only hope to save her family lies across the Irish Sea. As a warrior princess of Ulster, the rival clan holding her father and sister for ransom knows she'll pay any price to get them back. But even she couldn't predict the task set before her - to steal a faerie sword from a king. The Kingdom of Caerleon is dying under Morgan le Fay's dark magic. Her vengeful curse has locked Excalibur in its scabbard, placing Arthur Pendragon's kingship in jeopardy. Now Arthur and his sword brothers have one hope. The fifth knight. The one foretold by Merlin who will break the curse.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

Love thy neighbor, 'tis said. A fine idea, except when the neighbor in question is Lord Holden. Lady Helen Tiernay has complained frequently about his treatment of his people. Too frequently perhaps, for the king intends to curb their constant bickering by ordering them to wed. Helen can't refuse a royal decree, but she'll do everything possible to drive away her devilishly attractive husband-to-be.

Kel has finally achieved her lifelong dream of being a knight. But it's not turning out as she imagined at all. She is torn between a duty she has sworn to uphold and a quest that she feels could turn the tide of war. Unrelentingly realistic in its depiction of the horrors of war, Pierce provides exquisite details of the weaponry, topography, and culture of her world, and her control of a voluminous cast of characters is masterful.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

New York Times bestselling author Julie Garwood has captured the hearts of millions of listeners worldwide with timeless tales of love and soaring adventure. Now, returning to the enchanting world of her classic love story “The Bride,” she brings to glorious life the passion, intrigue, and rivalry of medieval Scotland....

September, 1356. Poitiers. The greatest knights of the age were ready to give battle. On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the king and his son, the dauphin. With 12,000 knights. And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this savage new world of intrigue, betrayal and greed, first he must learn to survive.

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

Edmund Harkins has gone missing. Few in Bampton liked him, knowing him to be a wife-beater and distinctly unsavory character, so when some hungry pigs unearth his corpse from a shallow grave, there is hardly an outpouring of grief. As bailiff, it is Hugh de Singleton’s duty to bring Edmund’s killer to justice. But where is he to start investigating when almost everyone in the village has a motive? And when everyone is pleased to see the scoundrel dead, who knows how far they might go to help someone get away with murder?

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon.