Psychological Suspense

Marlena Altizer Durst lives in her husband's shadow. He controls her every move - what she wears, the food she eats, and the friends she's allowed to make. If she disobeys, there are...consequences. And he has all the power. To outsiders, it seems that she leads a fairy-tale life. But nobody ever wonders if Cinderella was happy after she married the prince. Marlena has traded freedom and safety for luxurious imprisonment, and most days, that seems like a bad bargain. Death may be the only exit she's allowed. Just like his first wife. And his second. Unless she flips the script.

In the rugged Pacific Northwest lies the Olympic National Forest - nearly a million acres of impenetrable darkness and impossible beauty. From deep within this old growth forest, a six-year-old girl appears. Speechless and alone, she offers no clue as to her identity, no hint of her past.

To most people, suburbia is synonymous with good school districts, manicured lawns, and friendly neighbors. But you can never really tell what's hiding behind those white picket fences and smiling faces. I mean, we all have secrets. The kid down the street steals lawn gnomes. The woman on the corner is having an affair. And me? I'm a murderer. At least...that's what everyone thinks. Because that's the other thing about the suburbs. Rumors spread like wildfire. Handsome detectives start poking around. Houses explode. You know...the usual.

An old man sits in a room, with a single door and window, a bed, a desk, and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written, labels and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.

Andrew Thale is not exactly thrilled when his overbearing father sends him on an errand to assess the property inherited from an eccentric aunt. Andrew is intrigued though, when he finds the house fully occupied. Its odd and interesting residents have a calming effect on him, especially the beautiful young woman named Tarragon. But his arrival seems to have set a series of mysterious events into motion. Narrator John McDonough’s engaging performance lets you share in the excitement and camaraderie.

It’s the opening night of The Manor, the newest and hottest luxury resort, and no expense, small or large, has been spared. The infinity pool sparkles; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen.

Ray Garrett, a wealthy young American living in Europe, is grieving over the death of his wife. Ray is at a loss for why she would take her own life, but Peggy's father, Ed Coleman, has no such uncertainty - he blames Ray completely. Late one night in Rome, Coleman shoots Ray at point-blank range. He thinks he's had his revenge, but Ray survives and follows Coleman and his wealthy girlfriend to Venice.

I'm not supposed to leave the house. But what my husband doesn't know won't kill him. I break his rules every morning on my runs. It's always been best when I have a routine. So every day I wake up, run, clean the house, wish for a better life, repeat. Every day is exactly the same. Except Thursdays. I live and breathe for Thursdays. It's when he comes. I watch from a distance. I can't help myself. But I was never supposed to talk to him. I know what you're thinking. But you don't know my story. You don't know the kind of monster my husband is. And trust me, you have no idea who I am.

In the summer of 1959 Stella Raphael joins her psychiatrist husband, Max, at his new posting - a maximum-security hospital for the criminally insane. Stella soon falls under the spell of Edgar Stark, a brilliant sculptor who has been confined to the hospital for murdering his wife in a psychotic rage. But Stella's knowledge of Edgar's crime is no hindrance to the volcanic attraction that ensues -a passion that will consume Stella's sanity and destroy her and the lives of those around her.

Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York - but his feelings start to change when she doesn't answer his increasingly aggravated letters and the filmmaker who hired Ingham fails to show in Tunisia.

Mia is reluctant to go camping with her boyfriend and sister, who are graduate students working on a dissertation about American folklore. But ultimately, they convince her to help document the trip. The group sets off to Black Creek, a remote destination in the Pacific Northwest where Bigfoot has allegedly been sighted. They think they’re prepared for anything, but their sense of terror grows as they find more and more evidence to suggest the monster really is out there. Eventually, Mia realizes she’ll be lucky just to make it out of the woods alive.

Ginny Young is on a plane en route to see her mother, whom she hasn't seen or spoken to for 35 years. She thinks back to the summer of 1958, when she and her sister, Sharla, were young girls. Moving back and forth in time between the girl she once was and the woman she's become, Ginny at last confronts painful choices that occur in almost any woman's life and learns surprising truths about the people she thought she knew best.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers The Talented Mr. Ripley and Strangers on a Train. A critically acclaimed, best-selling author in Europe, Highsmith has for too long been underappreciated in the United States. Eleven is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability.

Sisters. Strangers. Survivors. More than 20 years ago, Claire and Lydia's teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that's cruelly ripped open when Claire's husband is killed.

Olivia Campbell has the life most women want. A respected husband, beautiful home, and the freedom that only financial security can provide. But not all is as it appears.... Olivia has secrets, and after discovering a hidden journal in her husband's study, she realizes she's not the only one. As her picture-perfect world starts to fall apart around her, Olivia wonders just how deep the secrets run as she finds herself immersed in the investigation of a young missing girl.

In the title story, a young boy becomes obsessed with his cousin's doll after she tragically passes away from leukemia. As he grows older, he begins to collect "found dolls" from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they?In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.

It’s a question everyone asks themselves, but few have to face in real life. English teacher Richard Boyle certainly never thought he would find himself talking down a former student intent on harming others, but when Mark LeDrew shows up at Richard’s school with a bomb strapped to his chest, Richard immediately jumps into action. Thanks to some quick thinking, he averts a major tragedy and is hailed as a hero, but not all the attention focused on him is positive.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has COVID. Her mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down. Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret.

A former actress, Allison Rocca knows her husband, Tony, a screenwriter, has been extra busy lately. And news reporter Katy knows her ex, Chief Detective Sam Ladera, is desperately hunting the Video Killer. Still, each woman senses something unusual about the men's behavior. But as they attempt to find the truth, they unwittingly draw closer to the lens of a calculating madman searching for his next leading lady.