Psychological Thriller Suspense

Les morts n'ont pas dit leur dernier mot... Des os humains : c'est la macabre découverte que fait l'inspecteur Samuel Owusu sur les berges de la Tamise. Les indices le mènent rapidement à un manoir de Chelsea où, trente ans auparavant, trois cadavres ont été retrouvés, alors qu'un bébé pleurait, abandonné à l'étage. À cette époque-là, Lucy Lamb fuyait Londres après une horrible tragédie. Aujourd'hui, elle croit pouvoir enfin rentrer chez elle, mais c'est compter sans le passé qui revient la hanter. Non loin de là, Rachel Rimmer est sous le choc : son mari, Michael, vient d'être assassiné.

Amber Patterson Parrish has come a long way from being an invisible wallflower. Her hard work and immaculate planning have paid off now that she’s a prominent socialite, but that doesn’t mean there haven’t been bumps along the way. Less than a year since her husband Jackson’s tax-evasion scandal, Amber is still at the top of the Bishops Harbor community pecking order, free to do as she wishes while Jackson sits in prison. But that freedom is quickly coming to an end. With Jackson getting released from prison, Amber’s time—and money—is vanishing.

Anna Fox lives alone - a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times...and spying on her neighbors. Then the Russells move into the house across the way: a father, mother, their teenaged son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn't, her world begins to crumble. And its shocking secrets are laid bare.

Four months after the explosion at the Garden, a place where young women known as the Butterflies were kept captive, FBI agents Brandon Eddison, Victor Hanoverian, and Mercedes Ramirez are still entrenched in the aftermath, helping survivors in the process of adjusting to life on the outside. With winter coming to an end, the Butterflies have longer, warmer days of healing ahead.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

Jake Hayes is missing. This much is certain. At first, his wife, Nina, thinks he is blowing off steam at a friend’s house after their heated fight the night before. But then a day goes by. Two days. Five. And Jake is still nowhere to be found. Lily Scott, Nina’s friend and coworker, thinks she may have been the last to see Jake before he went missing. After Lily confesses everything to her husband, Christian, the two decide that nobody can find out what happened leading up to Jake’s disappearance, especially not Nina.

A stranger is trespassing in Celeste Turner's backyard, moving through the shadows around her shed. It could be a harmless backpacker seeking temporary refuge, but experience has taught Celeste to be extra wary. Not wishing to draw unwanted attention, she cannot turn to the police. Celeste is an outsider to this region of rural Florida, and all the locals see is a "city girl" who swooped in to secure her inheritance. But Celeste needs her new life to work, so she must confront her intruder. To her surprise, she finds out that her unwanted guest is a young backpacker named Daisy.

Allander Atlasia is an infamous psychopath whose heinous crimes have earned him a lifetime stay at the Tower, the world's most extreme maximum-security prison. But after a brilliant and brutal escape, the criminal mastermind begins a killing spree that is intensely personal. Jade Marlow is an ex-FBI profiler and tracker whose fearlessness is only surpassed by the severity of his own inner demons. With a record of irrational behavior and a genius for putting himself into the mind of a criminal predator, he may be the one man diabolical enough to catch Atlasia.

Stay-at-home mother Marta lives in her successful husband’s shadow, overlooked by him ever since her darling son Owen went to medical school. She’s not about to let the beautiful Gina take Owen away from her. Marta will play nice, get Gina to trust her. And then she has a plan of her own.

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: She has all she ever wanted. Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder. Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick.

An old man sits in a room, with a single door and window, a bed, a desk, and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written, labels and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Theirs was a marriage made in tabloid heaven, but no sooner had supermodel Laura Ayars and Celtics star David Baskin said “I do” than tragedy struck. While honeymooning on Australia’s Great Barrier Reef, David went out for a swim - and never returned. Now widowed and grieving, Laura has a thousand questions and no answers. Her search for the truth will draw her into a web of lies and deception that stretches back thirty years - while on the court at the Boston Garden, a rookie phenom makes his spectacular debut....

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Mia is reluctant to go camping with her boyfriend and sister, who are graduate students working on a dissertation about American folklore. But ultimately, they convince her to help document the trip. The group sets off to Black Creek, a remote destination in the Pacific Northwest where Bigfoot has allegedly been sighted. They think they’re prepared for anything, but their sense of terror grows as they find more and more evidence to suggest the monster really is out there. Eventually, Mia realizes she’ll be lucky just to make it out of the woods alive.

When human bones are found beneath an old chapel in the woods, evidence suggests the remains could be linked to the decades-old case of missing teen Annalise Jansen. Homicide detective Jane Munro—pregnant and acutely attuned to the preciousness of life—hopes the grim discovery will finally bring closure to the girl’s family. But for a group of Annalise’s old friends, once dubbed the Shoreview Six by the media, it threatens to expose a terrible pledge made on an autumn night forty-seven years ago.

Camryn Lane is living her dream. After years of struggle and rejection, her first novel has finally been published. Her editor is happy; her teenage daughter is proud; and her boyfriend and friends are all excited for her. She’s on top of the world—until she receives a disturbing message from an unknown sender. Rattled by the accusations she finds there, Camryn swallows the sick feeling in her stomach and resolves to put the missive out of her mind. But when she checks her ratings on a popular book site, she finds a scathing one-star review.

New York Times best-selling author Anthony Horowitz and eccentric Detective Daniel Hawthorne team up again in a new mystery, the sequel to the brilliantly inventive The Word Is Murder, to delve deep into the killing of a high-profile divorce lawyer and the death, only a day earlier, of his onetime friend.

ll s'appelle Bruno Hamel, il a trente-huit ans et il est chirurgien. Avec sa petite famille — Sylvie sa conjointe, et Jasmine, sa fille de sept ans —, il habite Drummondville et, comme tous les gens heureux, il n'a pas vraiment d'histoire. Jusqu'à ce que Jasmine, par un bel après-midi d'automne, soit violée et assassinée. Dès lors, l'univers de la famille Hamel bascule. Mais lorsque la police arrête le meurtrier, un terrible projet germe dans l'esprit enténébré de Bruno: il va s'emparer du monstre et lui faire payer ce qu'il a fait à sa petite fille.

Avec la parution de la trilogie de La Bête, David Goudreault a ébranlé le paysage littéraire québécois. Repoussant les limites de l'humour grinçant, il a offert un regard à la fois dur et tendre sur les oubliés de la résilience, grâce à un protagoniste qui, en dépit de sa violence, est touchant de naïveté.