Psychological Thriller Suspense

Rachel is afraid she may have done something terrible. She's sitting in a room, being asked whether she killed someone. She doesn't understand how her life has changed so completely. When she was younger, heads would turn when she walked into a room. Her children needed her; her husband adored her. But somehow the years wore that all away. She was so busy raising her children, looking after her parents....

Everyone has secrets, and Rachel Holloway is no exception. She’s worked hard to keep the past where it belongs: dead and buried. And so far, she’s been very successful. But now the small newspaper where she works wants to produce a podcast on a cold case: the disappearance 12 years ago of young Molly Forster. Some secrets should never see the light of day, and, as far as Rachel is concerned, whatever happened to little Molly is one of them.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

Kirstie Rawlings is jolted awake by a child crying. Racing upstairs to check on her newborn, she is plunged into every parents’ worst nightmare. She hears an unknown voice in the baby monitor, saying: "Let’s take the child - and go." Is someone trying to steal her little girl? In the bedroom, her daughter is safe asleep in her cot. Is the voice coming from a nearby house? But there aren’t any other children living on her quiet country road....

Sara Keane's husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a "fresh start" in the wake of her nervous breakdown. But three sleepless nights into their new life, Sara understands it's not an entirely fresh start after all: Damien's new boss is his ex-con father, whose contracting business is run with violence and tinged by paramilitary association. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless - all but a prisoner in her own house.

War-weary Berlin has much to offer Leonard Markham, a young, naive postal engineer: first the arts of sophisticated intrigue, then the delights of sexual pleasure. But Leonard's new knowledge carries a heavy price, dragging him and the listener into a new type of story that is exhaustively suspenseful and utterly irresistible.

When you listen to this audiobook, you will make many assumptions. You will assume you are listening to a story about a jealous ex-wife. You will assume she is obsessed with her replacement - a beautiful, younger woman who is about to marry the man they both love. You will assume you know the anatomy of this tangled love triangle. Assume nothing. Twisted and deliciously chilling, The Wife Between Us exposes the secret complexities of an enviable marriage - and the dangerous truths we ignore in the name of love.

Joe Goldberg is done with the cities. He’s done with the muck and the posers, done with Love. Now he’s saying hello to nature, to simple pleasures on a cozy island in the Pacific Northwest. For the first time in a long time, he can just breathe. He gets a job at the local library—he does know a thing or two about books—and that’s where he meets her: Mary Kay DiMarco. Librarian. Joe won’t meddle, he will not obsess. He’ll win her the old-fashioned way . . . by providing a shoulder to cry on, a helping hand.

When 22-year-old Gillian Thompson returns from university for the summer, it is apparent there is tension at home. An irritant to her father and a concern to her mother, Gillian’s home life is less than ideal. Geraldine, Gillian’s mother, has suffered abuse from Joe for years. However, it is not until Joe dies that the family dynamic shifts and Gillian starts out on her own dark journey.

Allison and James Price move to the navy-blue forests of Concordia, Idaho, hoping to leave behind the chaos of Los Angeles and the painful memories of his indiscretions. Once settled in the picturesque town, where time seems to have stalled and life moves at a slower pace, their six-year-old daughter, Reagan, befriends a mysterious young girl who seems too idyllic to be true with her pressed pinafores and perfectly curled pigtails. One late autumn evening, as their playdate winds down, both girls vanish into thin air.

It's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing—maybe even romantic—weekend away. So when the weather takes a turn for the worse, and a blizzard cuts off the electricity—and all contact with the outside world—the guests settle in and try to make the best of it. Soon, though, one of the guests turns up dead—it looks like an accident. But when a second guest dies, they start to panic. Within the snowed-in paradise, something—or someone—is picking off the guests one by one.

When Sylvia looks out her bedroom window at night and sees a child face down in the pond next door, she races into her neighbor's garden. But the pond is empty, and no one is answering the door. Wondering if night feeds and sleep deprivation are getting to her, she hurriedly retreats. Then Sylvia's little daughter wakes one night, screaming that there's a man in her room. This is followed by a series of bizarre disturbances in the house. Sylvia's husband insists it's all in her mind, but she is certain it's not - there's something very wrong on the other side of the wall.

When Bridget spots an elegantly dressed woman leaving her husband’s office late one night, she fears the worst. Her marriage is already strained but things are about to take an even more shocking turn when her family is suddenly torn apart by a horrific crime they all become entangled in. Her trust is shattered, her husband is on the run, and her son is hiding a dark secret. Bridget’s life has become a dangerous lie and the clock is ticking as the police close in on a killer.

I thought my sister was happy. I thought what we all thought: that Annie and Dom led perfect lives in a lovely cottage in a quiet village by the sea, with flowers at the front gate and an apple tree in the garden. Everyone knew them: generous, loving Dom, creative, joyful Annie. But I never saw Annie as she sat waiting for Dom well into the night. I didn’t see her smiling through her tears. I didn’t know what the perfect couple was hiding.

There are two sides to every story: yours and mine, ours and theirs, his and hers. Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

Leigh Collier has worked hard to build what looks like a normal life. She has a good job as a defense attorney, a daughter doing well in school, and even her divorce is relatively civilized - her life is just as unremarkable as she’d always hoped it would be. But Leigh’s ordinary life masks a childhood that was far from average...a childhood tarnished by secrets, broken by betrayal, and finally torn apart by a devastating act of violence.

Iris was born twenty-eight years ago during the unrest, when every birth required a life to be sacrificed. Since then, fertile women’s rights have been curtailed in further attempts to reduce the population. Deemed as a dangerous nuisance, restrictions are in place on where fertile women can work and socialise, as well as what internet access they are allowed. Iris has been a good citizen and has followed every rule imposed upon her. But when new and even more sinister methods to reduce the population are enforced, Iris can’t accept it any more.

Nina, still grieving from the loss of her father, discovers that she has inherited property in the British Virgin Islands—a vacation home she had no idea existed, until now. The house is extraordinary: state-of-the-art, all glass and marble. How did her sensible father come into enough money for this? Why did he keep it from her? And what else was he hiding?

Years after a breakdown and a diagnosis of dissociative identity disorder derailed her historical preservationist career, Kenetria Nash and her alters have been given a second chance they can’t refuse: a position as resident caretaker of a historic home. Having been dormant for years, Ken has no idea what led them to this isolated Hudson River island, but she’s determined not to ruin their opportunity.

Raised in the wilderness by her late great-uncle, Vida is a young woman with an almost preternatural affinity for nature, especially for the wolves that also call the forested mountains home. Formed by hard experience, by love and loss, and by the prophecies of a fortune teller, Vida just wants peace. If only nearby Kettleton County didn’t cast such a dark shadow.