Short Horror

A Penguin Classic. First published in 1938, this volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck’s characteristic interests: The tensions between town and country, laborers and owners, past and present.

Scare Street is proud to present a collection of best-selling horror author Ron Ripley’s most blood-curdling ghost stories. Four delightfully diabolical tales have been summoned from beyond the grave, and are certain to make your skin crawl. Haunted houses, vengeful spirits, ancient curses - everything you crave in a classic ghost story lurks within this ghastly collection. And as you devour one terrifying story after another, pay no attention to the chill in the air.

Joe Ledger is back! Joe Ledger: Secret Missions collects some of Ledger's most dynamic and bizarre short-story adventures - classic reprints as well as exciting new material! From the icy wastes of the Antarctic to the Gate of Hell in Turkmenistan, Ledger and his team are the last best hope that stands between the unsuspecting public and unimaginable dangers!

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

Much of Richard Matheson's work has found its way into pop culture: The title story became a memorable episode of television's The Twilight Zone, and more recently, Will Smith starred in the blockbuster movie I Am Legend. Stephen King has declared Matheson to be one of his favorite writers. Find out why as you listen to the classic horror story of a man who peers out of his airplane window to see a gremlin destroying the wing.

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead…. A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever…. These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Featuring stories from R.L. Stine and Madeleine Roux, this middle-grade horror anthology, curated by New York Times best-selling author and master of macabre Jonathan Maberry, is a chilling tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark. Flesh-hungry ogres? Brains full of spiders? Haunted houses you can’t escape? This collection of 35 terrifying stories from the Horror Writers Association has it all, including ghastly illustrations from Iris Compiet that will absolutely chill listeners to the bone.

Perhaps Blackwood's most celebrated story, The Willows was influenced heavily by his own trips down the Danube River. It tells the story of two campers who pick the wrong place to sleep for the night, a place where another dimension impinges on our own. H.P. Lovecraft considered this the finest supernatural tale in English literature.

Join Marcus Caldwell as he steps into the decaying Chateau Amara Hotel, where every creak of the floorboards whispers secrets of sins long buried. As he confronts the enigmatic Midnight Masquerader, you’ll FEEL the chilling tension seep into your bones, leaving you breathless with anticipation!

Join Dr. Amelia Mercer as she navigates a nightmarish city engulfed in collective agony, where every scream resonates in your VERY BONES! Feel your pulse quicken as you experience the relentless tide of shared suffering, forcing you to confront the darkest corners of human empathy. This isn't mere fiction; it's a gripping exploration of what it means to truly feel the pain of others.

This is volume two of a two-volume omnibus set comprising the complete fictional works of Howard Phillips Lovcecraft. Every story written for publication under his own name is included in this set, from 1927 through 1935. (Poems, ghostwritten material, and stories written in collaboration with other writers are not included.)

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

More than a decade after Kelley Armstrong first opened the doors to the Otherworld, fans are still clamoring for more. In response to their demands - and to coincide with the Syfy Network show based on the series - Plume has signed up three Otherworld anthologies, each of which revolves around a different theme. The second in the trilogy, Otherworld Secrets, features fan favorites such as Cassandra, Savannah, and Adam in rare and never-before-published short stories - plus a brand new novella.

For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the tenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Included in the pages of The Best Horror of the Year have been such illustrious writers as Neil Gaiman, Kim Stanley Robinson, Stephen King, Linda Nagata, Laird Barron, and many others.

You can't kill the dead! Like any good monster, the zombie has proven to be ever-evolving, monumentally mutable, and open to seemingly endless imaginative interpretations: the thralls of voodoo sorcerers, George Romero's living dead, societal symbols, dancing thrillers, viral victims, reanimated ramblers, video-gaming targets, post-apocalyptic permutations, shuffling sidekicks, literary mash-ups, the comedic, and, yes, even the romantic.

A young boy, Tineboy, is having trouble with his multiplication tables and the number seven. Bored in class one day, he falls asleep and dreams of a story told by his teacher about the number seven going mad. This leads to a world without the number seven and the confusion that comes from getting rid of a number. The schoolhouse bully and Tineboy’s own pet crow play important roles in his vivid daydream, full of intelligent wit and humor.

This audiobook collects Wellman’s John Thunstone and Lee Corbet stories, written between 1943 and 1979. These stories combine the mystical and horrific with traditional Southern folk tales and legends. These stories also reveal a post-World War II modernism that make them much more then pulp romanticism. The paranoia and cynicism of modern weird icons, such as The X-files, may well have had their genesis in the pulp musings of Manly Wade Wellman.

Vitus Adamson is falling apart. As a pre-deceased private investigator, he takes the prescription Atroxipine hourly to keep his undead body upright and functioning. Whenever he is injured, he seeks Niko, a bombshell mortician with bedroom eyes and a way with corpses, to piece him back together. Decomposition, however, is the least of his worries when two clients posing his most dangerous job yet appear at his door looking for their lost son.

This is the classic Gothic tale of a family identified with their house; an ailing sister and a neurotic brother live in the middle of a desolate wasteland in a house that has been in their family for centuries. Now, they are the last of the line; the sister is dying and the brother feels he cannot survive her. He enlists a friend to come and stay at the House of Usher, and when his sister dies, terrible things ensue.