After too many dates, thirtysomething Mimi Perkins is still single, unmoored, and longing for love. So when Ren Yardley—a handsome, divorced fellow drama teacher and single father—falls in love with her and proposes, she’s sure this is at last the good news her psychic predicted. Soon after proposing, Ren receives the devastating news that his ex-wife has been in a debilitating car accident, prompting him to temporarily move back into his former home to care for her and his daughters.

For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life. Warm, generous, and funny AF, Alua supports and helps manage end-of-life care on many levels. The business matters, medical directives, memorial planning; but also honoring the quiet moments, when monitors are beeping and loved ones have stepped out to get some air.

Food critic Tempèsta Luddington has always felt like the odd person out in her family, ever since she lost her beloved mother at the tender age of thirteen. When her workaholic father passes fifteen years later, Tempèsta is not surprised that the majority of the considerable family money will pass to her dutiful younger brother, Wal. Still, she is left a modest remembrance from her mother, and for the first time Tempèsta has a world of choices before her.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood.

Singer/songwriter Tara MacLean has had an extraordinary musical career. From being discovered singing on a BC ferry to touring with Dido, Tom Cochrane and Lilith Fair, her solo albums and those with the band Shaye have touched legions of fans. But she hasn’t, until now, disclosed the details of how the power of song saved her from a childhood filled with danger.

Rainey’s grandmother makes a startling request: Take me home. To Ireland, the country she fled post-World War II. Though they’re inseparably close, Rainey knows few of her grandmother’s secrets. Until they arrive at Aisling—the majestic estate on the southern coast of Ireland where her grandmother was raised—and Rainey discovers a collection of seventy-year-old letters in a trunk.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge. From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.

Someone You Know is an anthology of twelve unforgettable Canadian true-crime stories by Story Hunter podcast producer, host and writer Catherine Fogarty. Each story reveals the haunting truth and statistical reality that a person is more likely to be murdered by someone they know than by a stranger. And while “stranger danger” is often the stuff of our nightmares and Hollywood horror films, sometimes those who are closest to us are even more dangerous than strangers.

Freedom fighter, brilliant businessperson, devoted wife, master of languages, and ultimately, savior of a European dynasty. Claudia Patterson would become all of these—spurred on by the fiercely powerful loves and losses along the way … Denny Clark. An abused thirteen-year-old White boy whose life twelve-year-old Claudia saves—complicating her own life for years to come.

Widower Luke Driskell didn’t expect to fall in love and marry again so quickly. But Ashley and her daughter, Joy, are special—a quality borne out when Ashley rushes into a burning day-care center to save the children. Immediately she’s a social media sensation and hero. Then, just as suddenly, Ashley and Joy disappear into the bitterly cold night. With no trace of their whereabouts, Luke begins a panicked investigation. Alarmingly, he can find no proof that the woman he loves even exists. Left behind: just a hidden stash of fake IDs. Different names. Different cities. Same haunted face.

Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes. Divine Might is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin.

Being a typewriter is not as easy as it looks. Surrounded by books (notorious attention hogs) and recently replaced by a computer, Olivetti has been forgotten by the Brindles—the family he’s lived with for years. The Brindles are busy humans, apart from twelve-year-old Ernest, who would rather be left alone with his collection of Oxford English Dictionaries. Once a collector of words, now Olivetti only collects dust. He gets a rare glimpse of action from Ernest’s mom, Beatrice—his used-to-be frequent visitor—only for her to drop him off at Heartland Pawn Shop and leave him behind.