Sage Easton is a driven witch. At just thirty years old, she’s an accomplished blown glass artist. Her glass creations are magical. Literally. But when a spell takes away her magic, suddenly Sage is unable to work and the only way to get it back is to learn to love life without her gift. Now she has to seek help from her old high school nemesis, the handsome and fun-loving man who has always gotten under her skin.

A haunting and beautiful memoir from a Cambodian refugee who lost her country and her family during Pol Pot's genocide in the 1970s but who finds hope by reclaiming the recipes she tasted in her mother's kitchen.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

Rainey’s grandmother makes a startling request: Take me home. To Ireland, the country she fled post-World War II. Though they’re inseparably close, Rainey knows few of her grandmother’s secrets. Until they arrive at Aisling—the majestic estate on the southern coast of Ireland where her grandmother was raised—and Rainey discovers a collection of seventy-year-old letters in a trunk.

Food critic Tempèsta Luddington has always felt like the odd person out in her family, ever since she lost her beloved mother at the tender age of thirteen. When her workaholic father passes fifteen years later, Tempèsta is not surprised that the majority of the considerable family money will pass to her dutiful younger brother, Wal. Still, she is left a modest remembrance from her mother, and for the first time Tempèsta has a world of choices before her.

When there is a call, there is often a response. Najeeba knows. She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest.

Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes. Divine Might is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin.

The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system.

Al Ward lives on an isolated mining claim in the high desert of central Nevada fifty miles from the nearest town. A grizzled man in his sixties, he survives on canned soup, instant coffee, and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety, and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on—until a horse arrives on his doorstep: nameless, blind, and utterly helpless.

After a tragedy separates her from her mother, Juana García leaves in search of her father, who left them two years earlier. Out of money and in need of someone to help her across the border, Juana meets Adelina Vasquez, a young woman who left her family in California to follow her lover to Mexico. Finding themselves - in a Tijuana jail - in desperate circumstances, they offer each other much needed material and spiritual support and ultimately become linked forever in the most unexpected of ways.

Born in a country that has repeatedly traumatized her and her loved ones, Maya Wiley grew up in a household that prioritized activism, hope, and resilience above all else. This attitude landed her father on President Nixon’s enemies list as her mother organized third-party political platforms. Still, they modeled hope for their children. In the decades since, she has borne witness as presidents and political figures used racism and fascism to gain power, and as cities have again and again elected white men, effectively shutting out people of color and women from having a political voice.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Miss Clara Marie Stanton's family may be eccentric, but they certainly aren't insane. London, England, 1860: When Clara's ex-fiancé begins to spread rumors that her family suffers from hereditary insanity, it's all she can do to protect them from his desperate schemes, society's prejudice, and a lifetime in an asylum. Then Clara's grandfather Drosselmeyer brings on an apprentice with a mechanical leg, and all pretense of normalcy takes wing.

Cassie Andrews works in a New York City bookshop, shelving books, making coffee for customers, and living an unassuming, ordinary life. Until the day one of her favorite customers—a lonely yet charming old man—dies right in front of her. Cassie is devastated. She always loved his stories, and now she has nothing to remember him by. Nothing but the last book he was reading. But this is no ordinary book… It is the Book of Doors. Inscribed with enigmatic words and mysterious drawings, it promises Cassie that any door is every door. You just need to know how to open them.

Following the deaths of her husband and son, Helen Cartwright returns to the English village of her childhood after living abroad for six decades. Her only wish is to die quickly and without fuss. Helen retreats into her home on Westminster Crescent, becoming a creature of routine and habit. Then, one cold autumn night, a chance encounter with an abandoned pet mouse on the street outside her house sets Helen on a surprising journey of friendship.