Showing results for "julia whelan" in Coming of Age

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

American Ella Durran has had the same plan for her life since she was 13: study at Oxford. At 24, she’s finally made it to England on a Rhodes Scholarship when she’s offered an unbelievable position in a rising political star’s presidential campaign. With the promise that she’ll work remotely and return to DC at the end of her Oxford year, she’s free to enjoy her Once in a Lifetime Experience. That is until a smart-mouthed local who is too quick with his tongue and his car ruins her shirt and her first day.

Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at a local diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.

From the award-winning, New York Times best-selling author of The Monsters of Templeton, Arcadia, Florida and Matrix, an exhilarating novel about marriage, creativity, art, and perception. Fates and Furies is a literary masterpiece that defies expectation. A dazzling examination of a marriage, it is also a portrait of creative partnership written by one of the best writers of her generation. Every story has two sides. Every relationship has two perspectives.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

In her best-selling memoirs, Ruth Reichl has long illuminated the theme of how food defines us, and never more so than in her dazzling fiction debut about sisters, family ties, and a young woman who must finally let go of guilt and grief to embrace her own true gifts.

The Latecomer follows the story of the wealthy, New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF. As children, the three siblings—Harrison, Lewyn, and Sally—feel no strong familial bond and cannot wait to go their separate ways, even as their father becomes more distanced and their mother more desperate. When the triplets leave for college, Johanna, faced with being truly alone, makes the decision to have a fourth child.

When Alice’s best friend, Gabby, is reeling from a breakup, Alice writes her a heartfelt story to cheer her up. While reading it in a café, Gabby, as if by magic, meets the man of her dreams. Thinking the story might have some special power to it, Gabby shares it with her sister and other friends, who all find instant love. Word of mouth spreads, and Alice stumbles upon a new calling—to be a love scribe.

After their mother’s probable suicide, Jazz and Olivia Moon struggle to move on with their lives. Olivia, an 18-year-old who can taste words and see sounds, blinds herself by staring at the sun, then decides to walk to the remote setting of her mother’s unfinished novel to resuscitate her hopes and dreams. Jazz, plagued by unresolved conflict with her mother and a hidden trove of her unsent letters, takes a job in a funeral home before being forced back into the role of her sister’s keeper.

Bubblegum is set in an alternate present-day world in which the internet does not exist and has never existed. Rather, a wholly different species of interactive technology - a "flesh-and-bone robot" called the Curio - has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet, who as a boy in greater Chicago became one of the lucky first adopters of a Curio, is now writing his memoir, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to but must find a way to live in.

Lucy Wakefield is a seemingly ordinary woman who does something extraordinary in a desperate moment: She takes a baby girl from a shopping cart and raises her as her own. It's a secret she manages to keep for over two decades - from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy's now-grown daughter, Mia, discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her.

From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next 10 years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy - and at an early age is determined to form her own opinions.

Zagreb, 1991. Ana Jurić is a carefree 10-year-old, living with her family in a small apartment in Croatia's capital. But that year, civil war breaks out across Yugoslavia, splintering Ana's idyllic childhood. Daily life is altered by food rations and air raid drills, and soccer matches are replaced by sniper fire. Neighbors grow suspicious of one another, and Ana's sense of safety starts to fray. When the war arrives at her doorstep, Ana must find her way in a dangerous world.

Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, responsible for her aging father, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. One day, in the background of a self-portrait, Lu accidentally captures on film a boy falling past her window to his death.

Twenty years ago, six Penn students shared a house, naively certain that their friendships would endure - until the death of their ringleader and dear friend Bea splintered the group for good. Now, mostly estranged from one another, the remaining five reluctantly gather at that same house on the eve of what would have been Bea's fortieth birthday.

Leopold Portman, a young IT manager a few years out of college, dreams of settling down in Philly's bucolic suburbs with his fiancé, Nora. A talented singer in mourning for her mother, Nora has abandoned a promising opera career and wonders what her destiny holds. Her best friend, Stephen, Leopold's brother, dithers in his seventh year of graduate school and privately questions Leo and Nora's relationship. On June 16, 2004, the three are brought together - first for a funeral, then for an annual Bloomsday party. As the long-simmering tensions between them come to a head, they are forced to confront the choices of their pasts and their hopes for the future.

No one dies in Office Girl. Nobody talks about the international political situation. There is no mention of any economic collapse. Instead, this novel is about young people doing interesting things in the final moments of the last century.

Mayu. Mayu. Mayu. His whispered plea intertwines with a girl's silent cry. Help. Help. Somebody help. Everywhere Mayu turns she can feel the unspoken cries of the suffering. No one else seems to notice those most in need - but Mayu is compelled to do something. When she meets seven-year-old Anna, whose eyes speak to the unthinkable abuses in her past, Mayu knows the only escape for this victim is more violence. Mayu must unearth a brutal courage she never knew she had…Help. Help. Somebody help.