Showing results by narrator "Jane McDowell" in All Categories

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they?

Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern—the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily’s Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared—Ruth’s friend Cathbad.

Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent - a sign they were boiled soon after death. Once more she finds herself at the helm of a murder investigation.

Can Lord Peter Wimsey prove that Harriet Vane is not guilty of murder--or find the real poisoner in time to save her from the gallows? Impossible, it seems. The Crown's case is watertight. The police are adamant that the right person is on trial. The judge's summing up is also clear. Harriet Vane is guilty of the killing her lover. And Harriet Vane shall hang. But the jury disagrees.

Discover Dorothy L. Sayers' inimitable Golden Age detective in this complete collection of the complete Lord Peter Wimsey stories, together in one volume for the first time. Presented in chronological order, these short stories see Lord Peter Wimsey bringing his trademark wit and unique detection skills to all manner of mysteries.

Lord Peter Wimsey bent down over General Fentiman and drew the Morning Post gently away from the gnarled old hands. Then, with a quick jerk, he lifted the quiet figure. It came up all of a piece, stiff as a wooden doll...But how did the general die? Who was the mysterious Mr X who fled when he was wanted for questioning? And which of the general's heirs, both members of the Bellona Club, is lying? 'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The twelfth book featuring Lord Peter (the third novel to feature Harriet Vane) is set in an Oxford women's college. Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His eighth appearance takes him to an artists' colony (based on a real one) in Scotland during the 1920s. Lord Peter Wimsey could imagine the artist stepping back, the stagger, the fall down to where the pointed rocks grinned like teeth.

Kate Palmer has relocated to Cornwall for a quiet life. Moving into picturesque Lavender Cottage with her sister, Angie, the little village of Lower Tinworthy should be the perfect place for their fresh new start. But within weeks of their arrival, there’s a death in the close-knit community.... A woman is found dead in the village hall, with her own kitchen knife next to the body, covered in blood. Kate, a practice nurse at the local medical center, begins to piece together the clues.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The 11th book featuring Lord Peter, set in a country church, is often named as the best detective story ever written. When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. In his tenth appearance, he takes a job as an advertising copywriter to expose a ruthless killer. Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions....

This essential text from the leading authority on emotionally focused therapy, Susan M. Johnson, and colleague, T. Leanne Campbell, applies the key interventions of EFT to work with individuals, providing an overview and clinical guide to treating clients with depression, anxiety, and traumatic stress.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else.Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

Forensic archeologist Ruth Galloway is in her late thirties. She lives happily alone with her cats in a remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine is harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Ruth for help, believing the bones to be the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor taunts him with bizarre letters referencing ritual sacrifice, Shakespeare, and the Bible.