Classic Poetry

Poetry can sometimes be elusive, the real meaning layered beneath another. In this volume American poets give voice to their nation, their hopes, and their aspirations. Whitman, Emerson, and Dickinson are joined by Poe, Holmes, Dunbar, and others to pleasure our ears and minds with a rambling stroll through their works. It doesn’t define America, but it captures her mood and the flavours of her soul in the early days of the American dream.

The Poetry of Kissing. In many ways the title says it all. Kissing is Poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. This volume is not about the kiss of a mother’s to her child’s scraped knee, or the father to his baby’s head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another.

The church building has been pivotal to man’s spiritual and religious life for centuries. For many the interior of a church is literally their one to one with God. The interiors, whether soaring or simple, ornate or minimal, are built for communion, for worship. Outside and surrounding our many churches is the churchyard; the burial ground, the repository for faithful souls. An all-weather idyll of calm around where many a poet has sat and contemplated the surrounding world.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

Because it defines human existence, love is one of art's favorite subjects. Timeless Love: Poems, Stories, and Letters celebrates the mysterious nature of love and passion by bringing together classic works by beloved writers through the ages. Including stories, poems, and letters from Shakespeare, Elizabeth Barret Browning, John Keats, Edith Wharton, and more, this collection explores how each love is singular - yet love itself is universal.

The Satires comprises a collection of satirical poems by the Latin author Juvenal written in the second century CE. Juvenal wrote in the Roman tradition of “satura”, a formal literary genre composed in dactylic hexameter rather than just witty criticism in any format. In a tone and manner that ranges from irony to rage, Juvenal criticizes the actions and beliefs of his contemporaries.

These masterly poems span the whole of Nabokov's career from "Music", written in 1914, to the short, playful "To Vera", composed in 1974. The works are newly translated by Dmitiri Nabokov, and include "The University Poem", an extraordinary autobiographical poem in which Nabokov recalls his life in Cambridge, with its crooked alleys and age-old gates, teas at the vicar's and British girls. Included to are such poems as "To Russia" ("Will you leave me alone! I implore you!), the enchanting "Eve", and verse about America, sport, love, and poetry itself.

Davant dels ulls del lector una plaça d’una gran ciutat sense nom i el tramvia que hi circula cobren vida. En aquest escenari minimalista es desenvolupa una història sobre les vides quotidianes i les passions ocultes dels seus residents. Tot el seu món el controla el personal invisible interessat només a maximitzar els beneficis i a infectar, amb un enfocament omnipresent, destructiu i improvisat, expressió de la seva arrogància, els residents i enverinar-ne les emocions.

Discover the secret agenda of The Walrus and the Carpenter as they stroll along the beach enticing and exciting the young oysters to follow them. This is a classic morality tale written by Lewis Carroll told as a children’s poem. And, it explores movements and causes, great and small, leaders and followers, and the risks of following leaders blindly.

Listen, my children, and you shall hear Of the midnight ride of Paul Revere. So begins the classic poem of devoted patriot Paul Revere's midnight ride on April 18, 1775. Henry Wadsworth Longfellow wrote the poem in 1860 as a tribute to the revolutionary hero who rode his horse through Medford, Lexington, and Concord to warn the American patriots that the British were coming to attack.

El cuento del marinero es una de las historias de Los cuentos de Canterbury de Geoffrey Chaucer. En esta narración, el Marinero relata las desventuras de una joven esposa, empleados inmorales y un monje engañoso. El cuento es una exploración satírica del engaño, la infidelidad y la naturaleza caótica de las relaciones humanas. Chaucer, conocido por su ingenio y su aguda observación de la sociedad medieval, teje un comentario humorístico pero crítico sobre las complejidades morales de su época.

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form.

Classic Poems for Girls is a collection of over 25 funny, whimsical and moving poems for 5- to 10-year olds, designed to fuel the imagination. From the adventures of the Jumblies, who sail away in a sieve; to the sticky end of a girl named Matilda; to the courtship of a maiden who lived long ago, in a kingdom by the sea, there’s a poem to suit any feeling or mood. Seasoned Naxos AudioBooks readers Laura Paton, Anne-Marie Piazza, Benjamin Soames and Roy McMillan work their magic on the works of Edward Lear, Louisa May Alcott, Christina Rossetti, and many more.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

Many giants of literature originate from the shores of the emerald isles: Shakespeare, Dickens, Chaucer, the Brontes, and Austen, to which most people would willingly add the name Thomas Hardy. Far from the Madding Crowd, Tess of the D’Urbervilles, and The Mayor of Casterbridge are but three of his literary masterpieces. But let us go further and add to his canon his poems....

Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works.

The English language has grown into the world’s pre-dominant spoken language, containing over one million words. Its sources are rich and diverse, having absorbed words from other cultures and times without hesitation. With such talents as Shakespeare, Keats, Shelley, Kipling, Blake, and many other classic poets using this most flexible language to render their thoughts and visions, it is no wonder that the beauty and reach of English entrances us.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered, too. Poets as rich and diverse as Longfellow, Hood, Bronte, Burns, and Gibran here share their words, thoughts and visions with us.

Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of 12 children. The family's wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500-acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations.