English Crime

The Kennedy name has long been synonymous with wealth, power, glamor, and—above all else—integrity. But this carefully constructed veneer hides a dark truth: the pattern of Kennedy men physically and psychologically abusing women and girls, leaving a trail of ruin and death in each generation’s wake. Through decades of scandal after scandal—from sexual assaults to reputational slander, suicides to manslaughter—the family and their defenders have kept the Kennedy brand intact.

Rebecca Heilshorn lies stabbed to death in her bed in a remote upstate New York farmhouse. Rookie detective Brendan Healy is called in to investigate. All hell breaks loose when her brother bursts onto the scene. Rebecca turns out to have many secrets and connections to a sordid network mixing power, wealth, and sex. Detective Brendan Healy, trying to put his demons behind him, pursues a dangerous investigation that will risk both his life and his sanity.

On the tree-lined banks of Surrey’s River Wey, a decaying corpse is dug up by workmen in the middle of an Anglo-Saxon burial site. His modern dental fillings show that this is no Dark Age corpse. DCI Craig Gillard is called in, but the body’s condition makes identification difficult. One man, however, seems to fit the bill: Ozzy Blanchard, a contractor employed by the same water firm doing the digging who disappeared six months ago. But then an X-ray of the corpse throws the investigation into turmoil. The deeper Gillard digs, the more shocking truths he will uncover.

For GBI investigator Will Trent and medical examiner Sara Linton, McAlpine Lodge seems like the ideal getaway to celebrate their honeymoon. Set on a gorgeous, off-the-grid mountaintop property, it’s the perfect place to unplug and reconnect. Until a bone-chilling scream cuts through the night. Mercy McAlpine, the manager of the Lodge, is dead. With a vicious storm raging and the one access road to the property washed out, the murderer must be someone on the mountain. But as Will and Sara investigate the McAlpine family and the other guests, they realize that everyone here is lying.

As the boss of the Bratva, I live my life by a code: Always stay in control. But I broke my own rule on the night I bought Annie. She was so delicate and desperate up on that stage. I'd pay any price it took to own her. She says she can't be bought. But she doesn't know how this game is played. In my world, everything has its price. And like it or not, she's mine now - my property, my possession.

I’m the shadows that reach out and take a bite. No one sees me coming, which is why I’m sent to do the things even our fearless leader won’t touch. After months of watching our enemies, it’s time to take them out. I’m ready to feel their blood on my hands, their worthless lives ground to dust. But I don’t get the chance when a dark haired beauty comes crashing into my plans, seeking sanctuary from our enemies. Now I’m stuck on guard duty, babysitting a mafia princess. As tensions rise, the flames of desire flicker between us. We shouldn’t cross that line.

A thirty-four-year-old American woman—a secret agent—is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct.

Jack Saxby is trying to keep the farm he thought he’d been given by his mother. His vindictive father wants to take it away, and Jack’s two brothers also have their own agenda. Then there’s a suspicious death, and the family’s dark secrets come to light. Can Eric Ward, representing Jack, find out who’s really guilty? Eric is facing a risky eye operation and he’s still resisting a serious relationship with young heiress Anne Morcombe. Can he solve the case and save his reputation?

In a gay nightclub in Orlando on June 12, 2016, the shooter, Omar Mateen, murdered 49 people and wounded 53 others. The attack was the deadliest act of violence against the LGBTQ+ community in US history and the deadliest terrorist attack in the United States since 9/11. But there’s a story you haven’t heard. The FBI had a secret history with the shooter and his father. To obscure that history, the FBI pushed a false story that the media dutifully carried—that the attacker was a secretly gay Islamist extremist who had chosen to target Pulse and planned the attack for weeks.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

In a shocking scandal, the likes of which has not been seen in the English aristocracy since the 18th century, the Duke of Denver stands accused of the foul murder or his sister's fiancé, shot through the heart on a cold, lonely night at Riddlesdale Hall in Yorkshire. The duke's brother, Lord Peter Wimsey, attempts to prove Denver's innocence, but why is the duke refusing to cooperate? And what does his sister, Lady Mary, know about the affair? Trying to reveal the truth, Wimsey uncovers a web of lies and deceit.

In the tradition of bestsellers by Robert Ludlum and Vince Flynn, Termination Orders introduces Dan Morgan, a retired black-ops agent who must return to duty to thwart a deadly international conspiracy.

Once a trained killer for the CIA, Dan Morgan has built a new life for himself. But when he receives a desperate plea from his former black-ops partner - reportedly killed in a foreign battle zone - he flies in to help. It should be a routine mission, extracting a human asset from the region, but it’s not - it’s an ambush.

Despite what Scarface might lead one to believe, violence was not the dominant characteristic of the cocaine business. It was corruption: the dirty cops, agents, lawyers, judges, and politicians who made the drug world go round. And no one managed that carousel of dangerous players better than Willy Falcon.

One evening in 2009, April Balascio was searching online, as she had been every night, for unsolved murders in the towns her family had lived growing up, when she stumbled across the latest investigations into the “Sweetheart Murders” cold case. All at once, the buried memories of her father’s dark history were awakened, and she knew she had to take action. She picked up the phone to call a detective and the rest is infamous true crime history. In her unflinching memoir, Balascio bravely reveals an astonishing tale of a lifetime of manipulation, unexplained upheavals, and silent fear.

On June 22, 1954, teenage friends Juliet Hulme - better known as best-selling mystery writer Anne Perry - and Pauline Parker went for a walk in a New Zealand park with Pauline’s mother, Honora. Half an hour later, the girls returned alone, claiming that Pauline’s mother had had an accident. But when Honora Parker was found in a pool of blood with the brick used to bludgeon her to death close at hand, Juliet and Pauline were quickly arrested, and later confessed to the killing.

Private Detective Cormoran Strike is visiting his family in Cornwall when he is approached by a woman asking for help finding her mother, Margot Bamborough - who went missing in mysterious circumstances in 1974. Strike has never tackled a cold case before, let alone one 40 years old. But despite the slim chance of success, he is intrigued and takes it on; adding to the long list of cases that he and his partner in the agency, Robin Ellacott, are currently working on.

Often considered one of the first ever psychological thrillers, Crime and Punishment is a gripping tale of a poverty-stricken young man in Saint Petersburg, Russia, who hatches a plan to kill someone for money. Once the deed is done, he finds himself racked with guilt, confusion and disgust for his act. In this new recording, Will Poulter gives new life to the troubled protagonist, Rodion Raskolnikov, in a performance that will have you questioning where we draw the line between right and wrong.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.

Ice: The fighting cage made me a monster, and that's what came out when they freed me. She thinks I saved her from monsters, but she just fell into the hands of an even bigger one. She also thinks we're falling in love. She's wrong. I forgot how to do that. Besides, love's not what I want from her. She should've run away from me when I told her to do it. Because now it's too late. Barbie: I'm not letting him toss me aside. I'm staying right where I am, in his arms, and in his bed, and on the back of his bike.