Literary Fiction Family

The final book in the landmark Cazalet Chronicles, recently broadcast on BBC Radio 4. It is the 1950s and as the Cazalets' beloved matriarch, the Duchy, passes away, she takes with her the last remnants of a world - of great houses and servants, of class and tradition - in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair; while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions.

The world has changed around 79-year-old librarian Millicent Carmichael, a.k.a. Missy. Though quick to admit that she often found her roles as a housewife and mother less than satisfying, Missy once led a bustling life driven by two children, an accomplished and celebrated husband, and a Classics degree from Cambridge. Now, her husband is gone, her daughter is estranged after a shattering argument, and her son has moved to his wife's native Australia, taking Missy's beloved only grandchild half-a-world away.

Flora Mancini has been happily married for more than 20 years. But everything she thought she knew about herself, her marriage, and her relationship with her best friend, Margot, is upended when she stumbles upon an envelope containing her husband’s wedding ring - the one he claimed he lost one summer when their daughter, Ruby, was five.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

The powerful forces of science and family collide when geneticist Paige Robson finds her world in upheaval: Her eight-year-old son Miles is struggling to fit in at his new school and begins asking questions about his biological father that Paige can’t answer - until fate thrusts the anonymous donor she used into their lives.

Margaret Atwood is acknowledged as one of the foremost writers of our time. In Moral Disorder, she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it, those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments.

Kin Stewart is an everyday family man: working in IT, trying to keep the spark in his marriage, struggling to connect with his teenage daughter, Miranda. But his current life is a far cry from his previous career...as a time-traveling secret agent from 2142. Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives - 18 years too late.

Joan Mitchell has two suitors, and can’t decide whom to marry. With her mother Aurelie’s example in mind, she’d like to skip marriage altogether. Joan and Aurelie live together in a beautiful French Quarter home on Coliseum Street in New Orleans, along with Joan’s many half-sisters born of Aurelie’s five disastrous marriages. Joan lives a mostly carefree life, but when she becomes pregnant, she chooses to end her pregnancy rather than marry a man she doesn’t love - a decision with grave consequences in conservative 1950s New Orleans.

New adventures lie ahead as Anne Shirley packs her bags, waves good-bye to childhood, and heads for Redmond College. With old friend Prissy Grant waiting in the bustling city of Kingsport and frivolous new pal Philippa Gordon at her side, Anne tucks her memories of rural Avonlea away and discovers life on her own terms, filled with surprises...including a marriage proposal from the worst fellow imaginable.

When Dahlia decided to become a foster mother, she had a few caveats: no howling newborns, no delinquents, and above all, no girls. A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life. Eleven years after they began fostering, Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.

It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless - unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father.

When Faye Travers is called upon to appraise the estate of a family in her small New Hampshire town, she isn't surprised to discover a forgotten cache of valuable Native American artifacts. However, she stops dead in her tracks when she finds in the collection a rare drum, ornamented with symbols she doesn't recognize and dressed in red tassels and a beaded belt and skirt, especially since, without touching the instrument, she hears it sound.

Isma is free. After years of watching out for her younger siblings in the wake of their mother's death, she's accepted an invitation from a mentor in America that allows her to resume a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who's disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half a globe away, Isma's worst fears are confirmed.

England, 2014: Audrey Collins knows only two things about her beloved grandmother's past: She was born into nobility and she immigrated to America at seventeen years old. So when Audrey inherits her gran's home in North Yorkshire, she arrives expecting a sprawling country estate fit for lords and ladies. Instead, she finds an abandoned stone cottage perfectly preserved as Gran left it when she fled in 1941—ration book and all—and begins to uncover what secrets her family has been keeping.

During the week of Dr. Agnes Stacey’s daughter’s wedding, each of the 11 attendees in the small family gathering brings their own simmering tensions. Agnes’s uncle, Professor Malcolm Miller, has harbored a family secret since Agnes’s parents died in a car crash when she was a young girl. Dr. Joseph Bradshaw, who married into the family, has nursed a private obsession with Agnes since his brief stint as her therapist. Agnes herself is returning to her ex-husband’s home for the first time, just as she’s trying to extricate herself from a potent new love affair.

In his three novellas, In Short Measures, Strong Conspirators, and Sally Forth, Michael Ruhlman delves deeply into the nuanced complexity of romantic and sexual love - and the inevitable evolution of the heart over the span of years and decades. Each novella asks questions about the nature of love in terms of loyalty and fidelity - what are one's obligations toward one's spouse, one's family, and one's heart?

Stanford Solomon’s shocking, 30-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Lauren Francis-Sharma's 'Til the Well Runs Dry opens in a seaside village in the north of Trinidad where young Marcia Garcia, a gifted and smart-mouthed 16-year-old seamstress, lives alone, raising two small boys and guarding a family secret. When she meets Farouk Karam, an ambitious young policeman, the risks and rewards in Marcia's life amplify forever.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.