Literary Science Fiction

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.

The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik's beautiful, long-lost daughter. With the land's heroic hunks busy drooling all over themselves, there's only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit, and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude.

King Shrewd is dead at the hands of his son Regal. As is Fitz - or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest - perhaps to death. Only Verity's return - or the heir his princess carries - can save the Six Duchies.

Most people avoid the dreaded Whitechapel district. For Honoria Todd, it's the last safe haven. But at what price? Blade is known as the master of the rookeries - no one dares cross him. It's been said he faced down the Echelon's army single-handedly, that ever since being infected by the blood craving he's been quicker, stronger, almost immortal. When Honoria shows up at his door, his tenuous control comes close to snapping. She's so...innocent. He doesn't see her backbone of steel - or that she could be the very salvation he's been seeking.

Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, was deeply opposed to Beren, and imposed on him an impossible task that he must perform before he might wed Lúthien. Undaunted by Lord Thingol’s challenge, Beren and Lúthien embark on the supremely heroic attempt to rob Morgoth, the greatest of all evil beings, of a Silmaril, one of the hallowed jewels that adorn the Black Enemy’s crown.

With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people.

Vitus Adamson is falling apart. As a pre-deceased private investigator, he takes the prescription Atroxipine hourly to keep his undead body upright and functioning. Whenever he is injured, he seeks Niko, a bombshell mortician with bedroom eyes and a way with corpses, to piece him back together. Decomposition, however, is the least of his worries when two clients posing his most dangerous job yet appear at his door looking for their lost son.

Brandee has been dumped in every way possible, but by text is the last straw. That's it - she's officially done with men. Unfortunately, she's just been told her "soul mate" is the drool-worthy hottie all her friends call One-Night Nick. Nick has been searching for true love for 100 years. After all, werewolves mate for life, and he does not want to mess this up. As soon as he kisses Brandee, he knows she's the one. But how will he convince a woman who knows nothing of paranormals that she's about to be bound to a werewolf forever?

In this captivating tale of imagination and ambition, a seemingly disparate array of people come into contact with a time traveller who must resist the pull to change the past and the future. The cast includes a British exile on the west coast of Canada in the early 1900s; the author of a bestselling novel about a fictional pandemic who embarks on a galaxy-spanning book tour during the outbreak of an actual pandemic; a resident of a moon colony almost 300 years in the future; and a lonely girl who films an old-growth forest and experiences a disruption in the recording.

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

Corban flees his homeland searching for peace, but he soon discovers that there is no haven in the west as the agents of Rhin and roaming bands of giants hound his every step. Veradis leaves the battleground and rushes to his King's side. But he has witnessed both combat and betrayal and his duty weighs heavily upon him. Maquin seeks only revenge, but pirate slavers and the brutal world of pit-fighting stand in his way. Nathair becomes embroiled in the wars of the west as Queen Rhin marches against King Owain. The need to find the cauldron of the giants drives him on.

For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts.

Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his 11th life, a little girl appears at his bedside. "I nearly missed you, Doctor August", she says. "I need to send a message". This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

World War II is nearly over. For the Russians the enemy is no longer Nazi Germany but the American behemoth that threatens to topple the Communist revolution. Deep within the walls of the Kremlin, Stalin's top man hatches a brilliant plan that will alter the course of postwar history - and it's all based on a deception as simple as the shell game.

John Birmingham is the master of alternate history adventure - and now he's mastered a new genre with the volcanically fast-paced and wildly inventive Dave Hooper urban fantasy series. The series is anchored by a thrilling high concept: An oil rig opens a rift deep in the ocean that unleashes terrifying monsters into the world. But perhaps its coolest asset is its hero, Dave Hooper, a tough, bleakly funny, down-on-his luck oil rig worker with an unlikely destiny as a monster-slayer and world savior.

All residents of the City have recently died, and they will remain in the City only as long as someone still living on Earth remembers them. On Earth, however, the population has been devastated by a terrible pandemic. Laura Byrd, isolated at an Antarctic research station, may be the only person to have survived the pandemic. But she's running out of time and supplies, and her memories are fading.

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again.