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April May and the Carls are back in the much-anticipated sequel to Hank Green's number-one New York Times best-selling debut novel, An Absolutely Remarkable Thing. The Carls disappeared the same way they appeared, in an instant. While they were on Earth, they caused confusion and destruction without ever lifting a finger. Months later, the world is as confused as ever. Andy has picked up April’s mantle of fame; Maya, ravaged by grief, begins to follow a string of mysteries that she is convinced will lead her to April; and Miranda infiltrates a scientific operation.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

Emmeline lives on a remote island with her father, who teaches her about the natural world through her senses. What he won’t explain are the mysterious scents stored in glass bottles that line the walls of their cabin, or the origin of the machine that creates them. As Emmeline grows, however, so too does her curiosity, until one day the unforeseen happens, and Emmeline is vaulted out into the real world—a place of love, betrayal, ambition, and revenge. To understand her past, Emmeline must unlock the clues to her identity.

They were on a lark, three teenage girls speeding across the greens on a “borrowed” golf cart, at night, drunk. The cart crashes and one of the girls is killed instantly. The driver, Jo, flees the hometown that has turned against her and enrolls at a prestigious boarding school. Her past weighs on her. She is responsible for the death of her best friend. She has tipped her parents’ rocky marriage into demise. His Favorites reveals the interior life of a young woman determined to navigate the treachery in a new world. The story cooly describes a series of shattering events and the system that failed to protect her.

Marjorie Morningstar is a love story. It presents one of the greatest characters in modern fiction: Marjorie, the pretty 17-year-old who left the respectability of New York's Central Park West to join the theater, live in the teeming streets of Greenwich Village, and seek love in the arms of a brilliant, enigmatic writer.

Maddy Donaldo, homeless at twenty, lives with her dog and makeshift family in the hidden spaces of San Francisco’s Golden Gate Park. She thinks she knows how to survive and whom to trust until she accidentally witnesses the murder of a young man. Her world is upended as she has to face not only the killer but also the police and then the victim’s parents, who desperately want Maddy to tell them about the life their son led after he left home. And in a desire to save her since they could not save their own son, they are determined to have Maddy reunite with her own lost family.

Coming-of-age meets coming-of-middle-age in this tender exploration of what it means to reinvent yourself. A teenage girl runs away from a life of boredom and poverty, with dreams of becoming a smoke jumper. A middle-aged mother escapes to the mountains to explore her artistic side. Thanks to a snowstorm, Ivy and Mary Ellen find themselves trapped together in an isolated home in the Poconos. Now lying to each other, and themselves, they must confront what kind of people they want to be and - when a near-fatal accident forces them to face the truth - who they really are.

From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next 10 years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy - and at an early age is determined to form her own opinions.

Maddy is 16. She has loyal friends, a mother with whom she’s unusually close, a father she’s never met, devoted grandparents, and a crush on a boy named Jack. Maddy also has cancer. Deeply curious, wry, and vivacious, she’s poised at the outset of adulthood, ready to untangle all the mysteries that living holds - if she survives her teens. All the Water in the World is the story of a family doing its best when faced with the worst.

Acclaimed writer Pam Houston says that “Mandelbaum is wise beyond her years and twice as talented”, and The Bright Side Sanctuary for Animals poignantly explores the unique love and tension between mothers and daughters and humans and animals alike. Perceptive and funny, moving and eloquent, and ultimately buoyant, Mandelbaum offers a panoramic view of family and forgiveness and of the meaning of home. Her debut reminds us that love provides refuge and underscores our similarities as human beings, no matter how alone or far apart we may feel.

From James Leo Herlihy (author of Midnight Cowboy) comes a series of grim yet insightful short stories in his first collection, The Sleep of Baby Filbertson. Both an examination of the darker themes of alienation and isolation and an elevation of the oddities and quirks that make up human nature, Herlihy’s seven tales tackle the anxieties of fragile people and get to the heart of a world inhabited by perennial outsiders.

It begins with a drowning. One day Mr. Arcilla, the romance language teacher at Briarfield, an all-girls boarding school, is found dead at the bottom of Reed Pond. Young and handsome, the object of much fantasy and fascination, he was adored by his students. For Lilith and Romy, Evie and Claire, Nellie and Grace, he was their first love and their first true loss.