Titres dans Littérature ancienne, classique et médiévale

Le Metamorfosi di Ovidio, insieme all'Iliade, l'Odissea e l'Eneide, è il libro più famoso ed importante che ci sia arrivato dall'antichità. Diviso in 15 libri, contiene circa 250 miti che hanno in comune il tema della trasformazione. Molti dei protagonisti di questi miti sono alla base della nostra cultura. Solo per fare qualche esempio: Eco, Narciso, Europa, Medea, Arianna, Pigmalione, Prometeo, Pan, Ermafrodito, Dedalo ed Icaro, Venere ed Adone.

Bednost' ne porok (pervonachal'noe nazvanie "Gordym Bog protivitsja") - komedija v trjoh dejstvijah Aleksandra Nikolaevicha Ostrovskogo. Napisana v 1853 godu. Napechatana otdel'nym izdaniem v nachale 1854 g. Dejstvie proishodit v * gorode, v dome kupca Torcova, vo vremja Svjatok. Istorija ljubvi prikazchika Miti i Ljuby Torcovoj razvorachivaetsja na fone zhizni kupecheskogo doma. Ostrovskij v ocherednoj raz voshitil svoih poklonnikov zamechatel'nym znaniem mira i udivitel'no jarkim jazykom.

This collection of 35 poems is a sequel to a volume of lyrical ballads first published in 1798. While the first volume was a collaboration between Wordsworth and Samuel Taylor Coleridge, this anthology contains verses by Wordsworth only. Generally, the poems are less well-known than those of the earlier volume but do include major narrative pieces, like "The Pastoral Epics", "The Brothers", and "Michael".

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.

The Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original.

This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles's brilliant career.

I first read Edward Fitzgerald’s celebrated, if controversial, version of Omar Khayyam’s Rubaiyat when I happened upon it in my father’s extensive library when I was a sophomore at Notre Dame High School. While there is much debate about Omar Khayyam’s philosophical outlook (is his message Sufi-oriented or existentially hedonistic?), there is no doubting its beauty and its profundity of thought.

Hedda Gabler is one of the most interesting and intricate figures to appear on stage. Her boredom with her mariage and jealousy of her former lover set off a chain of events that result in an untimely death. Oh, but the deceased did "die beautifully"!

Though the Romans were known for having contributed much to culture and the arts, there was one facet that was unrivaled when it came to ancient civilizations: their published works. Philosophy was their forte, and it goes without saying that the meditations by Marcus Aurelius is a superb piece of philosophical writings and musings. What is interesting about this collection is that it chronicles his thoughts during the time of his reign as Roman Emperor from AD 161 to 180.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

This course is an introduction to the philosophical thought of the two most important philosophical figures of ancient Greece. By working through parts of their central texts and thoughts, we will gain an understanding of Plato and Aristotle's relevance in the past and today as well.After each section of this guide, you will find some questions and suggestions for further thought.

Paradise Lost is the greatest epic poem in the English language. In words remarkable for their richness of rhythm and imagery, Milton tells the story of Man's creation, fall, and redemption to "justify the ways of God to men."

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.

Paradise Lost is a well-known part of the English literary canon. Told as an epic poem in blank verse, Paradise Lost is John Milton’s retelling of the biblical story of Satan’s fall from grace and the beginning of humanity. In the beginning of Paradise Lost, Satan has been banished to Hell and is working to organize the angels who fell with him and create his new kingdom. While a constant angelic war rages, Satan begins to wield his influence on the first humans created on Earth, and soon tempts them into defying God by using wit and logic to tempt Eve.

The Most Venerable Book is one of the five classics. For many centuries it was a central work for anyone wishing to work for the imperial administration, with its prestige stemming from the belief that it had been assembled by Confucius himself. The first emperor tried to have all copies destroyed because of its subversive implication that 'the Mandate of Heaven' could be withdrawn from rulers who failed their people. For similar reasons it was also banned by Mao. Extraordinarily, it has been revived by the Chinese government of the 2010s.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

The Nature of Things was written in the 1st century BC by Roman polymath Lucretius. It is written as a didactic poem, and explains Epicurean physics.

Perhaps the first great and truly "American" poet, Walt Whitman's writing reflected the idealism and turbulence of the mid-19th century. His poetry broke new stylistic ground with its unconventional meter and rhyme schemes, yet celebrated democratic values, the beauty of nature, and the complex variety and vitality of American life.

Written by Susan Glaspell in 1916, Trifles is a one-act play about a woman accused of strangling her husband. Based on an actual murder case reported by Glaspell for the Des Moines News, the play represented an early exploration of gender relationships in a time when women often were considered to be mere trifles. A groundbreaking feminist play, Trifles is often included in anthologies of drama and literature.

Plato's dialogue, Critias, recalls the story of Atlantis attempting to conquer Athens. In ancient times, the Earth was divide by the gods - and gods tended the humans in their allotment as shepherds. Atlantis, allotted to Poseidon, becomes corrupt over time, and Zeus must take matters into his own hands.